Showing posts with label California. Show all posts
Showing posts with label California. Show all posts

Monday, January 8, 2024

"RANCHO LAS CASITAS DEL PASO" Flintridge, California




































LAS CASITAS DEL PASO - the little houses of the step

PASEDNEA POST MARCH 19, 1930  

Freeman Ford has completed his attractive home above the Flintridge Biltmore, commanding a view of the Pacific ocean. The Spanish building was designed by Edward M. Fowler.


The Los Angeles Times ■ 07 May 1950 - 


FLINRIDGE ESTATE HAS OLD WORLD ATMOSPHERE

Reproduction of Crumbling Monastery Walls

 Helps Give Impression of Bygone Centuries




Somehow you know, with the Rose Bowl below you, that you’re in America. But wandering about Rancho Las Casitas Del Paso in the Flintridge Hills you suddenly feel the impact of time—and what is modern or centuries old blends into a weird twilight zone.


There are flocks of peacocks with their fantastic plumage and Arabian stallions who stand watch at the gates. 


TIME STANDS STILL


Here in the lush setting of green Southland hills, eight minutes from Pasadena and Glendale, time stands still. You find yourself in the midst of a crumbling Pyrenees monastery and the home of Mrs. Lucille Graf.


Here you find hidden passageways, an Old World cloister, romantic balconies and a prohibition era bar that lifts into a gigantic living room from a secret place below.


The home was designed by Edward M. Fowler of Pasadena for Freeman Ford and was built in 1929. Mrs. Graf and her late husband Fred, a hotel broker, purchased the property in 1941.


ATTRACTED NOTICE


Fowler’s authentic reproduction of a group of Pyrenees houses built from monastery ruins, attracted nationwide attention when the project was completed. The Pyrenees house resembles those on the mountain range dividing France and Spain.





To Las Casitas Del Paso come artists and student painters to capture on canvas the charm of the graceful archways, the medieval stone driveways and the posters of Mexico and Spain.


Despite electric light, telephone, modern plumbing and radio, the little houses in the midst of ruins give the impression of having come down intact from the pages of history.


TOURS CONDUCTED


The 42 acres of the Graf estate borders on the Flintridge Academy of the Sacred Heart. Classes of students frequently have been taken on tour of Las Casitas.


The home was used in numerous motion pictures to lend authenticity to the scenes. Walls of Las Casitas are lined with worm-eaten planks taken from the swamps of Louisiana and preserved to give an unusual satin effect.


Secret passageways lead to the room of the mistress—as in homes of the Maladeta district of the Pyrenees. It has a large fireplace and a ceiling of timbers.


SADDLE DISPLAYED


Holding a place of honor in the room is an exhibition saddle for use on Mrs. Graf’s Arabian stallion, Roagzah. The horse is a son of Ghazi, an Arabian prize winner.


Protector of the Graf estate is a massive Doberman Pinscher named Derbemar v Ulbricht but called Fritz, for short.


The dog herds the 20 Graf peacocks and is inspector general of any strangers to approach the area.


The cloister, surrounded by a high, concrete wall, contains a fireplace, fruit trees, and an unusual "dunking pool"—a pool deep enough to swim in, but only eight feet across.


Mrs. Graf is particularly proud of her banquet room, a low, barrel-ceilinged room with a long, thick-planked table.


Surrounding the house are cactus gardens, rare plantings and an incomparable view of the mountains and the seas. In the night, there is incomparable silence and peace.




Treasures of the Valley » Mike Lawler
By CV Weekly on August 21, 2014




Best Little Whorehouse in … La Cañada?


Yes it’s true. Allegedly there was a house of, well, if not ill repute, then at least of questionable repute in La Cañada sometime around the 1960s.


My story comes from a local gentleman who had visited the place back then. I’ll keep him anonymous. Because of his fascination with electronics, I’ll call him “Sparky.”


Our story starts in 1929, when a fabulous home was built in the San Rafael Hills of Flintridge on Wendover Road above the Flintridge Hilton Hotel. “Las Casitas Del Paso” was a massive reproduction of a Pyrenees monastery. Faux crumbling walls, romantic balconies, cloisters and secret passageways gave the place an authentic air, as though it had been transported through time. But a secret bar that lowered from the ceiling placed it firmly in the Prohibition era. It sat on 42 beautifully landscaped acres perched on the highest hill above Flintridge, with incomparable views to the sea.


In 1941, it was purchased by a wealthy hotel broker who had probably fallen in love with the estate when he brokered the sale of the Flintridge Hilton to the Catholic Church (today Sacred Heart Academy). After he died, his wife Lucille continued to live in the splendor of Las Casitas with her prize-winning Arabian stallion “Roagzah,” a massive Doberman named Derbemar von Ulbricht, and a large flock of expensive peacocks imported from India. The neighbors had issues with the peacocks, which filled the quiet night with their loud calls. In the 1950s, we find several articles in the L.A. Times about her neighborhood conflicts over the birds, even to the point of Lucille finding the severed head of one of her birds dropped in front of her gate. After several years of neighbor complaints, punctuated with much courtroom drama, a Pasadena judge ordered her to sell or destroy her valued birds.


Perhaps it was this run-in with her neighbors and the legal system, or perhaps she was talked into it by some of the local men. Maybe she just fell on hard times and needed the money. But for whatever reason, local lore says that in the 1960s she opened her home up for “parties” for gentlemen with lovely ladies that she provided. We can’t be sure today if this was her cover for a prostitution business, but I think we might make some assumptions.


This is where Sparky enters our story. Sparky was a HAM and shortwave radio enthusiast. According to Sparky, he was up in the San Rafaels looking for likely high points and peaks to broadcast from when another local radio enthusiast who knew about the establishment invited him up to meet Lucille. For the two young men the place was a paradise. Beautiful scantily clad girls were everywhere. The bar that lowered from the ceiling was still functional, there were gambling tables, and young women lounged in what was perhaps the first hot tub in the area. Also, the peacocks were back, perhaps due to Lucille’s influential connections. Sparky said that parties of men would call in a reservation, tell Lucille what they wanted for dinner, and how many girls to have on hand. After the group had dinner, the rest of the evening was theirs to spend how they wished in any of the many ornate rooms of the estate.


Sparky really hit it off with Lucille as she was a radio enthusiast herself and had a wonderful shortwave setup. She also had set up her mountaintop estate for extra income as a huge ground antenna via several large “weathervanes” in order to transmit commercially without permits. Sparky garnered some special favors from Lucille, and still has photos he took of Lucille’s girls posing nude around his radio equipment.


According to Sparky the operation didn’t last too long. Lucille finished out her life alone on her mountaintop, and when she died the whole estate was bulldozed, and several mansions were built on the subdivided land.




There’s a lot of supposition and innuendo to this tale, and it’s up to you readers to draw your own conclusions. It seems every neighborhood has its “dirty laundry.”





Flintridge Biltmore
How former hotel became Flintridge Sacred Heart


Freeman Arms Ford was vice-president of the Pasadena Ice Company. Ford was the man who introduced California to Whippet racing.


"Freeman Ford’s Arroyo kennel in Pasadena was planned on a grand scale"


Freeman Ford House by Greene & Greene, Pasadena


Ford commissioned a house by the Greenes in 1906.


The Los Angeles Times ■ 23 March 1930 - 

The yacht-residence of Freeman Ford, and to its left of it the quaint beach home of Pauline Fredericks.


Driving up the new Malibu road that leads to Oxnard, several miles beyond Santa Monica, one is startled by the sight of a palatial yacht stranded on the beach. But on drawing nearer, a high, woven wire fence is seen surrounding the boat and the keel is so deeply imbedded in the earth and the stern so admirably arranged for garages it immediately becomes evident that no tidal wave, but some skillful and ingenious architect, placed the structure on the shore.


The “yacht" is the beach house of Freeman Ford, prominent club man and social leader of Pasadena, and it has every outward appearance of a sea-worthy vessel. Its “deck," which in house terms must be translated to “porch" is reached not by steps but by a ladder, and one leaves his landlubber pride and principles behind in clambering up that nautical approach.


Not a single item which would foster maritime atmosphere has been omitted. A huge anchor, attached to a heavy iron chain, has been dropped overboard, and everything from gang-way, and steering wheel, to flag, mast and smoke stack are in ship-shape. The kitchen is a ship’s galley, arranged in a most compact and orderly manner. There are no bedrooms, merely berths, bunks and cabins and the deck is the main dining-room.


The windows are portholes and looking through them over the jade and pearl waters of the Pacific there comes a strong illusion that one is on a vessel China-bound.


When asked why he built the unique beach residence Freeman Ford said: “From my earliest recollections I have always had a boat. Perhaps I sailed one as an infant in the bathtub, I can not remember a time when a toy boat was not one of my most dearly treasured possessions. Fashioning tiny boats out of wood and pasteboard boxes, with whittled out masts and improvised sails was one of my early childhood's most intriguing occupations, and the epochs of my life are marked with the days when I acquired my first tiny rowboat with oars, my first modest sailboat, and then my first sea-going yacht.


“I have owned a yacht of one sort or another ever since I was a young lad. and I like the simple, primitive life of ships. I like to get away from the oppressive luxury of houses with their soft carpets, and coddling, cloying atmosphere, and giving a "yachting party" on board the beach yacht-house is much simpler than taking a crowd of people out to sea. In the first place they don't get sea-sick and if a storm comes up one doesn’t have that horrible feeling of responsibility for their lives!


"We have had a few admirals down on the ’yacht’ as guests, and quite a number of prominent local and eastern people, including celebrities from the motion picture world and all of them have been pleased with the simple manner in which we entertain. It is my belief that all kinds of people like to get away from the stuffiness and stupidity of conventional houses.”


Appropriate enough in architectural design seems the tall lighthouse which stands beside Mr. Ford’s boat residence. But besides the lighthouse tower there is a patio with a fireplace like a stage setting and wings and doors opening along a row like actors’ dressing-rooms, for all the world like a theater. And what could be more fitting for the beach Home of an actress. For this quaint conceit is the home of Pauline Fredericks.




OLD WORLD TOUCH—Mrs. Lucille Graf and her watchdog, Fritz, near replica of walls of a Pyrenees monastery, on her Rancho Las Casitas Del Paso in Flintridge.

Pasadena Independent 13 Nov. 1957

Lucille Graf of 1690 Wendover Road,  Flintridge, passed away Nov. 9, 1957.





Friday, March 19, 2021

HOUSE OF D. C. NORCROSS LOS ANGELES - ROLAND E. COATE, ARCHITECT


HOUSE OF D. C. NORCROSS  LOS ANGELES
  ROLAND E. COATE, ARCHITECT


Commissioned by petroleum executive David C. and Irene Norcross on a prominent hill overlooking the Bel Air Country Club. The house features many Monterey Revival influences, as well as some intricate ironwork on a double-height balcony which references the architectural styles in New Orleans. The landscape plan was designed by A.E. Hanson.


HOUSE OF D. C. NORCROSS  LOS ANGELES
  ROLAND E. COATE, ARCHITECT



HOUSE OF D. C. NORCROSS  LOS ANGELES
  ROLAND E. COATE, ARCHITECT




HOUSE OF D. C. NORCROSS  LOS ANGELES
  ROLAND E. COATE, ARCHITECT


HOUSE OF D. C. NORCROSS  LOS ANGELES
  ROLAND E. COATE, ARCHITECT


HOUSE OF D. C. NORCROSS  LOS ANGELES
  ROLAND E. COATE, ARCHITECT


Site: instead of stepping down the various rooms with the grade, ground was excavated so that the house itself rests practically level.

Roof: rough laid hand-made tile, almost yellow in color.

Walls: covered with Gunite which in turn has been given a hand trowelled coat of stucco, resembling old-fashioned lime plaster in texture and color.

Color scheme: walls are pure white. Some windows are painted antique yellow, others green. Shutters are green; likewise the iron work.


Roots of Style: Colonial Monterey Sets the Stage for Unique Design


The house was torn down during an expansion of the property next door at 671 Siena Way. 

Thursday, March 11, 2021

AN ITALIAN HOUSE IN CALIFORNIA - THE PAUL PARIS HOUSE - ARMAND MONACO, ARCHITECT

THE RESIDENCE OF MR. AND MRS. PAUL PARIS IN BEL-AIR. LOS ANGELES, CAIJFORNIA. ARMAND R. MONACO, ARCHITECT.

 


SET on a hill overlooking Los Angeles, which stretches away to the south, is a new home which brings an echo of fair Tuscany into California. Many levels make the house fit the hill, for no deep cutting is necessary when a hill house is built on a hill; and much interest is added to the house when its fenestration can be made a delightful, decorative feature. Tile roof, dove cote and chimney, broken lines and overhanging story, all unite to make this house a climax to the hill.


HOME OF PAUL PARIS. BEL-AIR.
ARMAND MONACO. ARCHITECT


The entrance is formal as becomes the dignity of Californian hospitality. The garden is the intimate playground of the master who loves to place his vines and plants where they will be happiest.


THE GARAGES HAVE BEEN PLACED ON THEIR OWN LEVEL NEAR THE ENTRANCE TO THE FORECOURT. THE ROOF IS A DANCE FLOOR.


THE EAST FACADE OF THE PARIS HOUSE.
 ARMAND MONACO, ARCHITECT

On one eastern level is a great oak under which are the tables and chairs of those who live out-of-doors, on the next level below, to the southeast, is a great swimming pool and in the forecourt a beautiful marble wellhead from Italy.


DETAIL OF THE PAUL PARIS HOUSE.
ARMAND MONACO ARCHITECT; MONTI STUDIOS, DECORATIONS BY ALFREDO ORSELLI.


The interior is most interesting because of the keen sympathy between the architect and the client. Opposite the entrance is a wide doorway into the handsome drawing room. Two or three steps lead down to this, the important level of the house. 


THE SOUTH FACADE SHOWING END OF THE UPPER PORCH


Wide windows open out to the glorious view of city and the distant harbor. In the immediate foreground is a half circle of lawn edged by a balustrade and centered in a great statue, the discus thrower. To the right one steps down again into the library, and below it to the west is an open loggia or billiard room. Thus every level is used and made to add to this interesting hill house; no one level could be so charming, no flattened hill top so full of variety and beauty.  


IN THE STATELY DINING ROOM THE WINDOWS OPEN TO THE EAST. DECORATIONS BY MONTI STUDIO, ALFREDO ORSELLI AND R. MONTELBODDI.

The dining room, whose three great window's are enclosed in a balcony railing of wrought iron work, is a room of dignity, and its accompanying breakfast room in the octagon adds its dainty beauty of morning-glory colors as a foil. Above it is the second story porch and each bedroom has its privacy increased by having its own level.


For furnishings M. Paul Paris has imported from his native Italy many beautiful objects of art and, having directed the building of his own home, has succeeded in making its furnishings appropriate to the Italian architecture.


Yet in no way has the architect, himself an Italian trained first in America and then in Italy, been thwarted in his successful effort to make a California house perfectly adapted to our scenery and the contours of the beautiful hill country northwest of the metropolis.


THE CEILING OF THE DRAWING ROOM IS DELIGHTFUL IN THE RESTRAINED BEAUTY OF DECORATIONS. MONTI STUDIO, BY R. MONTELBODDI


From the Monti Studios has come the beautiful decoration of the ceiling. Softly the design has been wrought on the wooden beams and between them. Beautiful in itself is the design, restrained, and yet gratifying the desire for color and clever outline.


THE CEILING OF THE DINING ROOM. MONTI STUDIO, DECORATORS BY ALFREDO ORSELLI. BORDERS BY R. MONTELBODDI


In the Dining Room, which opens to the east, is the beautiful ceiling with the center panel, by Alfredo Orselli, representing the Aurora welcoming the dawn. 




An effort was made to show in this issue the  exquisite color scheme of this ceiling. But it proved impossible to reproduce it. Yet, in black and white the satisfying quality of the composition and its surrounding pattern is manifest. Mr. Alfredo Orselli, responsible for the painting of the Aurora panel and also the great Chevalier in the entrance hall, and Mr. Montelboddi, responsible for the painting of the living room ceiling, the decoration around Mr.Orselli’s dining room ceiling panel and the Pompeiian bath room, have made it possible, in the application of their early Italian training and work at the easel, for California to share this beauty of Italian interiors with its rich Pompeiian red and black and its dignity.


THE POMPEIIAN DECORATIONS OF THE BATH ROOM ON THE SECOND FLOOR TAKE THE HISTORY OF THE VASE AS MOTIF. R. MONTELBODDI DECORATOR. ARMAND MONACO, ARCHITECT. LOS ANGELES, CALIFORNIA


Altogether this house is a distinct addition to our Californian architecture of the home and forms a relief to the more severe types which have by their square masses failed to express the variety and beauty of California which, as shown below, is like that of Italy.



CALIFORNIA SOUTHLAND COVER - JULY, 1927
A Design by Claude G. Putnam

I've yet to find location or if the home still stands. The only mention I've found for Paul Paris is a Los Angeles Times article from 1921. 

 

September 21, 1921

BRYSON APARTMENTS

"HOTEL MAN BUYS LEASE ON BRYSON

Paul Paris Closes Deal Here Involving Nearly Million Dollars

The size of the furnishings, together with the execution of a new long-term lease, on the "Bryson Apartments", at the corner of Wiltshire Boulevard and Rampart street to Paul Paris, who recently disposed of his interests in the Angelus Hotel, was announced yesterday by Carson-Minster & Co., hotel brokers, who handled the transaction. Through this deal, Mr. Paris has acquired a twelve-year lease on the big building, at a total consideration of almost $1,000,000

Mr. Paris also was formerly identified with some of the leading hotels of Seattle and Portland." 

https://la.curbed.com/2018/4/6/17182172/raymond-chandler-los-angeles-history-bryson

The Monaco Family; Armand Monaco is the gentleman on the upper left with the full head of hair.


Some notable homes designed by Armand Monaco - 


Former beach home of J.J. Haggarty. Current site of The Neighborhood Church in Palos Verdes Estates.



Residence for Betty Blythe in 1925. 


Betty Blythe(1893 – 1972) was known for her dramatic roles in exotic silent films such as The Queen of Sheba (1921); she was one of the first actresses to appear in the nude in film during the Roaring 20s. 



Thursday, April 6, 2017

RESIDENCE OF ROBERT S. MOORE MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT


RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT

Calif.. Burlingame—C. H. Bennett Building Company awarded contract for the erection of a new home to cost $100,000 at Menlo Park for Robert S. Moore, head of the Moore Shipbuilding Company. Engineering & Contracting, 1920


Albert L. Farr
When Albert Farr created the home of Robert S. Moore in Menlo Park, a dream came true. With an author's privilege, let us translate his thoughts and visions into speech.


"It is Mexico, the golden; Mexico, land of sunshine, of fruit and flowers; Mexico, the 'New Spain' of the West. The traditions of the early colonists from the mother country have become a settled heritage in language, customs, buildings, modified sufficiently to meet local conditions of climate and soil.

"In my veins flows the blood of the conquerors.   The home I build must recall the land of my forebears; in it I wish reflected the pride and pomp of a noble race, softened by the charm and romance of its devotion to family ties.

"The spirit of hospitality must be evident—that traditional hospitality of the Orient which has become also a tradition of Spain, revered and handed down to Spain's children.

"And, indeed, there must be more than a suggestion of the Orient itself. For Moorish art and imagery are entwined in the life of Spain. Let there be felt, then, subtle influences of Grenada, of the Alhambra; the cool tinkle of water in a thirsty land, a tiled fountain in a courtyard, delicate arabesques and arches, interlacing grilles, recessed balconies. 

"But there must be no discord between the old world and the new. Our actual conditions are to be considered ; our climate and countryside, the wealth of verdure, the spread of branch, and the riots of color that succeeding seasons bring. And all the accessories and devices that add to the comfort and convenience of modern life are to be provided. To weld together all these varying elements of the past and the present into a harmonious ensemble—this is the ideal for which I will strive."


ENTRANCE DRIVEWAY - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
Accepting the differences between Californian and Mexican vegetation, this is the ideal which Mr. Farr has accomplished. An alluring picture greets you as you turn from the highway into this broad avenue with its sentinel guard of tall, straight poplars. 


MAIN FACADE - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
Straight through the outer court gate goes your eye, to the focal point of the picture—the richly modeled Churrigueresque doorway "chiseled like a jewel," as Ibanez says of the Toledo porch. The charm of this bit of fanciful ornament is emphasized by its axial importance, the surrounding simplicity of wall surface, and its sentimental significance.


DETAIL OF MAIN ENTRANCE - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
The branches of a magnificent oak cast delicate tracery of light and shade upon the near corner of the house, still further enriching the setting of the door ; and the mass outline, above and around, frames a background with a well-defined "informal balance".


THE MIRROR POOL - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR. ARCHITECT
While all these elements of the picture do not consciously register at once, it is certain that the mellowness of color causes an instant stir of pleasure.  Walls of a soft salmon pink; tile of varying shades from tan to reddish brown, with occasionally one of warm blue; woodwork and grilles of that tone which is the borderland between blue and green; the emerald base of lawn and the sapphire crown of sky—here is a luscious combination which would disarm the severest critic.


CARRIAGE COURT GATEWAY - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT

Passing around the house, each side has its own special interest.


THE LAWN - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
The living rooms and living porch lead to a broad open terrace overlooking lawn and rose garden. 


OAKS AND LAWN - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT

This lawn, with its splendid surrounding oaks, is obviously intended by nature and art for an open air annex to the living quarters of the house ; and the walled rose garden for similar use when greater seclusion or shelter is desirable. 


ROSE GARDEN FROM TERRACE - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR. ARCHITECT
There is a fascinating atmosphere of the Old World in the rose garden; long, curving, tile-capped walls, with high arched gates, posts crowned with urns, silhouetted against the background of feathery pepper trees and trembling poplars—one might well be in the "Forbidden Garden" of some Andalusian convent.


THE HOUSE FROM SOUTH GARDEN
RESIDENCE OF ROBERT S. MOORE - ALBERT FARR, ARCHITECT

On the opposite side of the house, the guest chambers look out over a bright garden border to an oblong lawn in which lies a long, narrow pool surrounded by stepping stones. This will in time be shielded by a high hedge, so that it will form a little retreat of absolute privacy.


THE HOUSE FROM WEST GARDEN
RESIDENCE OF ROBERT S. MOORE  - ALBERT FARR, ARCHITECT
The service court is surrounded by flower beds and orchards, and from this side the house presents a picturesque grouping of roofs and chimneys far removed from the usual utilitarian aspect.


MAIN FLOOR PLAN
RESIDENCE OF ROBERT S. MOORE  - ALBERT FARR, ARCHITECT
A square, high-vaulted hall connects the entrance directly with the patio, which is the heart of the house. 


FOUNTAIN IN PATIO - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
It is practically impossible to describe any patio; there is an elusive charm that must be experienced in person. 

PATIO - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
 This one, indeed, is not just an enclosed court; it has a romantic air; one expects something to happen, but nothing except what is peaceful and joyful.


PATIO TOWARD LIVING PORCH - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT

Only the growth of vine and shrub is needed to perfect it, especially in the case of the urns cropping out of the roof along the sides, and the balcony at the rear. 


PATIO - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
Incidentally, the corresponding pinnacles along the outer terrace side of the living porch do not quite justify themselves.  A clear sweep of roof would have been somewhat more pleasing there.


PATIO AT NIGHT - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
                 THE INTERIORS



LIVING PORCH - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
The living porch itself, with its walls of sliding glass between patio and terrace, is a long room in pleasant tones of tan with an extremely interesting Moorish tile wainscot of blue and grayish white with touches of yellow. The wooden ceiling is noteworthy, stained a soft dove gray. 


FOUNTAIN IN LIVING PORCH
RESIDENCE OF ROBERT S. MOORE - ALBERT FARR, ARCHITECT

Living and dining rooms are treated with plain plaster walls painted a creamy white, and with rich honeycomb ceilings. They are dignified, restful rooms, and furnish a good foil for the more brilliant portions of the house.


STAIR HALL TO PRIVATE SUITES - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
The stair hall opening from the patio and leading to the private suites in the upper story has quite the flavor of Grenada with its tiled wainscot and floor, its curving stairs with delicate metal railing, and its fountain under the broad Moorish arch.

When these rooms are completely and consistently furnished the interior of the house will acquire the distinctive character which the exterior already possesses; for, although barely finished, this house and its setting have already acquired individuality and harmony.

                 THE GARDENS


PLOT PLAN
RESIDENCE OF ROBERT S. MOORE - ALBERT FARR, ARCHITECT
Probably the feature that has caused the greatest comment in the gardens recently developed at the R. S. Moore home at Menlo Park is the rapidity with which these new gardens have taken on an old and mature effect. Only three months after the gardens were completed attention was called to the fact that they looked to be at least five years of age. Most new places look new, and do not take on the time-worn feeling for several seasons and only after nature has been given time to do her work. In this case, however, time was "taken by the forelock" and nature by the "ears" and given a premature push into early maturity. As in business Mr. Moore demands maximum results in a minimum of time, so in this work maximum results were sought for in the shortest possible period.

Two big factors enter into the element of quick results in garden construction: First, broad sweeps of lawn, and second, the purchase of large-sized nursery stock. By largest size nursery stock, we do not mean a full grown tree, but simply the largest size of stock that a nursery can handle with practical results. Thus in our selection of the nursery stock for this place only the very finest and largest specimens were purchased. It is a peculiar fact that there are no single nurseries in this State that contain the best stock of all varieties. The immense number of ornamentals which thrive successfully in California make it impossible for nurseries to specialize in everything, and we have found after much experience that it usually takes at least a dozen nurseries to supply every variety in a large plan if the best stock is desired. In this garden seventeen nurseries were patronized to obtain the stock necessary. Incidentally this is one of the big reasons why it does not pay to place the development of a garden plan in the hands of any one nursery.


John William Gregg
The main landscape plan in this garden was first conceived and designed by Professor John W. Gregg, of the University of California, and the excellence of the scheme as worked out has more than demonstrated Professor Gregg's ability in landscape design. The general scheme was of a two-fold nature: First, the carrying out of axes and lines of the house into the garden, thus tying in the garden with the house and making of the two a closely bound and harmonious unit, and second, to divide the garden into a number of separate and distinct compartments, as out-of-door rooms, each with its own function to perform. Only a visit on the ground can show how perfectly these effects have been worked out.

 SUMMER HOUSE - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT
As the work progressed the writer had the privilege of developing some parts more in detail than the original plans indicated. Such an area was originally devoted to a gardener's plotting shed and hot beds, but was later redesigned to contain a garden house, a rockery with tree ferns and a naturalistic pool and waterfall, with an open-air fireplace for summer evening entertainment. A number of these details are shown in the illustrations. 


OPEN-AIR FIREPLACE - RESIDENCE OF ROBERT S. MOORE
MENLO PARK, CALIFORNIA - ALBERT FARR, ARCHITECT

This compact little group of attractions exemplify the out-of-door living-room idea, and will be used continually in good seasons of the year.


GARAGE
RESIDENCE OF ROBERT S. MOORE - ALBERT FARR, ARCHITECT


The property in 1941 showing the long driveway of poplars.
The property today, now in the town of Atherton.
Across the street is Moore Acres with a Robert S Drive.

The house today minus its Churrigueresque.
Moore Dry Dock Company

The Stanford Daily, Volume 77, Issue 19, 27 February 1930

ROBERT MOORE WILLS $30,000 TO UNIVERSITY

Bequest Giving Memorial Scholarship Is Probated In Redwood City Court

University of California Receives Like Gift From San Francisco Financier

By the terms of the will of Robert S. Moore of San Francisco and Menlo Park, filed for probate yesterday in the superior court in Redwood City, Stanford is to receive a gift of $110,000 for a scholarship fund to he Known as the Robert S. Moore scholarship. The University of California received a similar bequest to establish a Florence Moore scholarship. According to Acting President Swain, the University authorities have not been informed of the exact nature of the scholarship or its purpose. Dr. Swain declared that the gift had come out of a clear sky. Moore, a prominent San Francisco capitalist, was president of the Pacific Securities Company, chairman of the hoard of directors of the Paraffine Companies Ltd., and associated with the Risdon Iron Works and Moore Shipbuilding Company, he left an estate of over a million dollars, the greater part of which will go to his wife, Mrs. Florence Moore. One bequest of $50,000 goes to the San Francisco Community Chest. Another gift is one of $5,000 to the San Francisco Society for the Prevention of Cruelty to Animals. Besides the two universities and Mrs. Moore, there are a number of smaller beneficiaries of the will. The well-known Menlo Park resident died February 16 in San Francisco. Moore was 73 years of age at the time of his death.


Florence Moore Hall
Designed by Milton Pflueger, head of California’s oldest architectural firm, Florence Moore Hall was deliberately built to be asymmetrical. The often-recounted story is that Florence Moore, who donated $1 million for the residence, provided the money on the condition that ice cream be served each day in the dining halls. She also specified that closets in each room accommodate a woman’s formal gown. Florence Moore’s husband, Robert S. Moore, joined her in having a residence named after him - the Row house called Robert S. Moore South or, more commonly, BOB.