THE NORTHWEST TERRACE. ESTATE OF MRS CLYDE M. CARR, LAKE. FORREST, ILLINOIS

THE NORTHWEST TERRACE. ESTATE OF MRS CLYDE M. CARR, LAKE. FORREST, ILLINOIS
Warren H. Manning Offices Inc., Landscape Architects, Cambridge, Mass.

  Click HERE for more on "Wyldwood".

"Arcady Farm"

"ARCADY FARM"

  Designed in 1907 by the same architect of  "Mellody Farm" - Arthur Heun - Arthur Meeker's(Ogden Armour’s partner) summer estate "Arcady Farm" was located at the northwest corner of Waukegan Road and Rt. 60, and was one of the early demolitions(1975) of historic homes that led to the formation of the Lake Forest Preservation Foundation and, ultimately, Lake Forest's Historic Preservation Ordinance.  

  Click HERE to see where "Arcady Farm" stood.

After "Melody"

Armour and Company, 1918

  Ogden Armour's wealth came from his role as the head of the multi-million dollar meatpacking business Armour and Company, which he took over in 1901 on the death of its founder, his father, Philip D. Armour. He inherited a fortune but also took the company to new financial heights by investing in railroads, elevators, refrigerators, and street railways. He became the second wealthiest American, after Rockefeller. The bubble burst in the early 1920s, however, and after losing more than $150 million in an economic downturn, Armour suddenly died in 1927. 

295 Vine Avenue Lake Forest,IL

  Debts forced his widow to sell "Melody Farm" the following year to a consortium of rich Chicago men who bought it with the intention of turning it in to a country club. She moved to a  modest nine-room house on 20 acres of land that she had retained from the sale. 

View from the front lawn.

  Renewed wealth allowed Lolita to move into a David Adler  designed estate that was built in 1934.  She regained much of her fortune after 1930 with the sale of J. Ogden’s investment in Universal Oil Products(initially thought to be worthless).

Closeup-Exterior front 

View from the garden side.

  Click HERE to see the estate in a 1939 aerial. BING.

Closeup-Exterior garden side

Stair Hall

Closeup - Stair Hall

Living Room

Closeup - Living Room

Dining Room

Closeup - Dining Room

Garden Pavilion 

Closeup - Garden Pavilion 

View from outside the gate

Closeup - View from outside the gate

Current View 

View from inside the gate

Closeup - View from inside the gate

Decoration Over Door

Closeup - Decoration Over Door

Detail of Decoration Over Door

Closeup - Detail of Decoration Over Door

Coach House

  The converted Coach House is currently listed for $2.295 million(down from $2.8 two years ago). 

  Mrs. Armour died on February 6, 1953 at the age of 83. She had been ill for a some time and died at her home. She is buried at Graceland Cemetery, Chicago. 

  Click HERE for a post about "Melody Farm" and HERE for a post on its gardens.

"Melody Farm": A Combination of Versailles and Illinois

***Text and photos from Melody Farm: A Combination of Versailles and Illinois by R. H. Moulton, published in 1919*** 

The gardens of 'Melody Farm" as may be seen by the accompanying photographs show in some parts a distinct Versailles influence while others are unmistakably American. The formal walks and borders and the hillside terraces are characteristic of France and the wealth of color is American, yet they have all been assembled with the rare art that make them friendly and harmonious. The water garden at the rear of the main house is approximately three hundred and fifty feet long by one hundred and fifty feet in width and is reached from the house by a broad terrace extending between the two loggias on this side of the building. This garden is laid out with formal groups of shrubs and wide graveled paths running between. In the center are two pools, each seventy-five feet wide and one hundred and twenty-five feet long, with a broad stretch of velvety lawn between them. The edges of the pool are planted with fuchsias, crotons, iris, arbutilons, and tuberous begonias  Beyond these pools is another one slightly smaller which is used for swimming. On each side of this pool is a terrace which leads up to a still higher terrace crowned with a garden house of remarkable beauty. This structure is of stone and terra cotta surmounted by tile roof with wide over-hanging edges. Gravel walks shaded with Wheatley elms grafted on English elms surround the entire garden in which one can walk in peace and seclusion and yet get the effect of spaciousness.

 From this stone-garden house the view is across an artificial lake of some twenty acres dotted with several small islands, and on beyond are wide stretches of rolling meadow lands. On the waters of the lake stocked with game fish, live numerous wild fowls and all around it are walks shaded by willow, larch, alder, mountain ash trees intermingled with spirea and with viburnum. The planting about the lake is peculiarly beautiful and shows how man working wisely with nature can create a landscape in which his work does not detach itself inharmoniously.

 Retracing one's steps to the house, on the west side of the water garden, one of the several entrances to the rose garden is reached. Ascending a flight of stone steps adorned at each end with a pedestal and marble figures a rose garden in all its beauty and fragrance is revealed. This lovely plot is approximately one hundred and fifty by one hundred feet in size and is planted with all the best varieties of teas and hibrid teas, including Los Angeles, Killarney, Aaron Ward, Ophelia, British Queen, Madame Herriott, Clothilde Soupert and Irish Flory while other varieties such as Geoge Elder, Cecile Brunner are used for the edges. The walls are covered with Dorothy Perkins and Lady Gay roses. Standard roses grafted on Wichuriana are planted all through the beds to relieve the flatness, and gladiolus are planted between roses in order to have color after the rose season is over. Pink, yellow and white are the predominating colors. This rose plot is edged with green sod about twenty inches wide and the paths are of white gravel which give a brilliant contrast.

STEPPING STONE PATH LEADING FROM THE ROSE GARDEN TO THE DUTCH GARDEN BENEATH A FLOWER-TWINED ARBOR 

 On the south side of the rose garden is a flight of steps leading to a walk under a rustic arbor into the Dutch Garden. On one side of this walk is a terrace court and on the other croquet grounds. The Dutch Garden is two hundred and fifty by one hundred  feet inside and is laid out along the lines of the old Dutch Gardens, with set pieces, squares, triangles, circles and oblongs, lined with tile, cement or box wood. The flowers used here are petunias shading from white to dark reddish purple. The borders of the flower beds are of juniper close cut and dwarfed. Around the outside walls are climbing roses, Dorothy Perkins, Silver Moon, Dr. Van Fleet and Lady Gay. The circular center bed is planted with cannas of a mauve color. An arbor at the extreme southern end of the garden is covered with Japanese grapes. These vines are grown for foliage and fruit effects. The fruit is not palatable, but turns black when ripe, contrasting strikingly with the foliage, which turns red at about the same time.

From the Dutch Garden a gravel walk lined with magnificent cut-leaved maples leads to the vegetable garden. This garden contains about two acres, and produces all the vegetables and fruits used by the family as well as by employees of the estate. The surrounding brick walls are lined with espalier on which a variety of fruit trees grow. In the fall of the year the garden is planted with tulips, each bed being of solid colors ranging from white to dark red purples. These tulips always produce two shows every year, for after the spring blooming in the vegetable garden, they are taken up, ripened off in sand and then planted out along the edges of the beds of shrubbery on the place.

 From the west side of the rose garden, the orchard garden is entered which is only a trifle smaller than the vegetable garden and is planted for the color of the blossoms in the spring and for the colors of fruits in the fall. 

PERGOLA AT THE WEST END OF THE ORCHARD GARDEN WHICH IS PLANTED FOR THE COLORS OF BLOSSOM IN THE SPRING AND COLORS OF FRUIT IN THE FALL

THE WALL AT THE BACK OF ORCHARD GARDEN PERGOLA IS ALMOST COVERED WITH VINES AND TALL FLOWERS CHOSEN FOR THEIR BRILLIANT COLORING

 At the extreme west end is a remarkably beautiful pergola of brick and lattice work. On the walls grow a variety of clematis and in the center of the floor is a circular pool in which rare gold fish swim about beneath water plants. The water flowing into this pool comes from a lead tank made in France in the time of Louis XIV. The tank is so arranged that the water comes in at the top, flows through a pipe and comes out of a Dolphin's head at the bottom of the tank, turning down a cement trench into the pool.

 Beyond the orchard garden are the greenhouses and the orangery. Back of the latter is the head gardener's cottage and the gardens of flowers for cutting. Adjoining the flower garden is a space devoted to various kinds of fruits and next to this is a grove of nut trees. The gardener's cottage as well as stables and garage, which are placed at some distance from the main house, are similar to the latter in design and construction. In addition to the features already mentioned there is a large enclosure used as a deer park while the rest of the estate comprises lawns, natural parks, orchards and farm lands. The end.

Daughter, Lolita Armour, 1916

  Mrs. Armour was noted for her award-winning roses, which she cultivated in Mellody Farm's extensive gardens; one of the roses grown there, an orange-and-red variety, was named for her daughter Lolita. The house was constantly filled with flowers(roses, zinnias, snapdragons, stock, and marigolds). 

  Click HERE for more on "Melody Farm".

Residence Clyde M. Carr, Lake Forest, Ill.

  IN considering the work of Mr. Lindeberg it is fair to take the Carr house as illustrative of many important points, many things which make Mr. Lindeberg's country houses definitely different from the usual country house. Different, specifically, from virtually all other work, which, in its general character could he taken as of the same class for purposes of comparison.

  The Carr house is one which will long be conspicuous as an expression of a happy freedom of American domestic architecture from the tyranny of "style." Its style is positive
and personal and entirely outside the category of copy-book architecture or "paper" architecture. It is a living proof of its architect's belief that departure from precedent does not need to imply architectural vagary.

  From the beginning of his career, Mr. Lindeberg has evidenced his strong architectural convictions in a succession of unusually vigorous solutions of the problems of modern country house design. Nor can these houses be discussed in terms of "style" as "style" is generally understood. They have a distinct "manner" but no "style"—a manner which seems individual and varied when viewed casually, but which adheres with extraordinary consistency to certain essential traits.

  This manner, so vitally inspiring in the Carr house, seems to be a direct result of a fearlessly independent spirit, which respects precedent, but is not constrained by it.

Plot Plan and Floor Plans
Residence Clyde M. Carr, Lake Forest, Ill.

 Reverting again to the Carr house, a mention of its ingenuity of plan should form part of any critical estimate, for the plan is unusual in itself, while characteristic of the practical resourcefulness of its architect. The plan in this case was devised to afford absolute privacy, not only to the garden front, but also to the front commanding a view of the lake. This was attained by throwing the entrance drive off at an angle and screening it with heavy planting. ***C. Matlack Price  1920***

ENTRANCE FRONT
Residence Clyde M. Carr, Lake Forest, Ill.

Entrance
Residence Clyde M. Carr, Lake Forest, Ill

Entrance Door
Residence Clyde M. Carr, Lake Forest, Ill

View Through garden wall
Residence Clyde M. Carr, Lake Forest, Ill

Detail of Service Wing and Yard
Residence Clyde M. Carr, Lake Forest, Ill

Entrance Hall
Residence Clyde M. Carr, Lake Forest, Ill

Stair hall
Residence Clyde M. Carr, Lake Forest, Ill

Morning Room
Residence Clyde M. Carr, Lake Forest, Ill

Mantel in Living-Room
Residence Clyde M. Carr, Lake Forest, Ill

Loggia
Residence Clyde M. Carr, Lake Forest, Ill

South Front
Residence Clyde M. Carr, Lake Forest, Ill

Wrought  Iron Entry Arch with a Large Coach Lamp
Residence Clyde M. Carr, Lake Forest, Ill

"Wyldwood" was a Country House of Character chosen by  Architect Harrie T. Lindeberg.

Country House of Character - The Estate of Mr. C. M. Carr

The Estate of Mr. C. M. Carr at Lake Forest, Illinois 

What constitutes the perfect country house? Country Life asked this question of several of the leading architects in New York, and asked them to indicate some country houses which they had designed and which, in their opinion, made them distinctive from other houses. It was to make no difference whether the house were a marble palace at some fashionable watering place or a tiny bungalow in the foothills of the mountains. So long as the architect considered it a good example of a country house and, in his opinion it had character, that was all that we asked. ***1919***

***Below is the selection chosen by Architect Harry T. Lindeberg***

Mr. C. M. Carr's house at Lake Forest, Ill. ***Lake Michigan  at the top***

Mr. C. M. Carr's house at Lake Forest, Ill.

Mr. C. M. Carr's house at Lake Forest, Ill.

Mr. C. M. Carr's house at Lake Forest, Ill.

Mr. C. M. Carr's house at Lake Forest, Ill.

   Mr. C. M. Carr's house at Lake Forest, Ill.         Painted by John Vincent

 Click HERE to see "Wyldwood" at wikimapia.