Showing posts with label The Architectural Digest 1926. Show all posts
Showing posts with label The Architectural Digest 1926. Show all posts

Sunday, April 19, 2015

"PARK HILL" C. F. DEWITT HOUSE, HOLLYWOOD, CALIFORNIA


    The DeWitt mansion by Architect Charles H. Kyson. The principal rooms included a formal dining room, breakfast room, den, music room and billiards room. Upstairs were four master bedrooms, each with their own tiled baths, three of which featured polished crystal “fixtures” and 14-carat gold-plated hardware.

    C.F. DeWitt owned the mansion until 1936 when he sold the home in the wake of his wife’s suicide the previous November. DeWitt remarried and lived to 76, dying in February of 1946. In recent years, his former home has been renamed "Park Hill" and, although there have been some inevitable changes in kitchen and bathrooms, the home remains remarkably as built.


"YOUR MAMAS NOTES: Your Mama has been hearing for months already that Miz Perry(Katy Perry) wants to unload her never-lived in L.A. compound, 'Park Hill', and—so the scuttlebutt went—she unsuccessfully had it shopped around off-market for a few months in the high seven millions before finally hoisting the grand estate on the open market today with an official (and notably lower) asking price of $6,925,000.

    In June 2011, almost a year after nine time Grammy-nominated international pop music super star Katy Perry wed her now ex-husband—that would be raunchy and unkempt looking British comedian Russell Brand—in a lavish ceremony in India they dropped six and a half million clams on "Park Hill", an historic, double-gated celebrity-style compound of nearly three acres nestled onto a private promontory just above the frequently traffic clogged mouth of Laurel Canyon in West Hollywood (CA).

    According to the good people at Paradise Leased and The Movieland Directory, 'Park Hill' was built in the mid-1920's for successful real estate developer C. F. DeWitt who lived in the house until shortly after his wife committed suicide in the house in the mid-1930's. Eventually the house was bought by Dan Laiken, the ex-CEO of National Lampoon who was put in the pokey in 2010 on a securities fraud conviction. It was Mister Laiken’s people who sold the house to Miz Perry and Mister Brand.

    Alas, the erstwhile couple broke up in a blaze of tabloid publicity and speculation just a few months after purchasing 'Park Hill'. Mister Brand chivalrously granted complete ownership of 'Park Hill' to Miz Perry who—so we've been told by someone in the position to know—never actually occupied the property. (She moved, instead, to a modest if hardly inexpensive rental in a storied West Hollywood apartment house and he snatched up a contemporary crib at the tippy-top of the Bird Streets neighborhood above the Sunset Strip where all the streets are named after—you got it—birds.)

    Current listing details reveal Miz Perry’s unwanted real estate albatross looms over a parking lot-sized motor court, stands three stories high at the back, measures in at a roomy but hardly humongous 8,835 square feet and contains a total of seven bedrooms, seven full and four half bathrooms. There are also two fireplaces—living room and library—and loads of original architectural detailing and vintage fixtures such as the silhouette chandelier that hangs in the stone-walled and marble floored front foyer and stair hall.

    The mansion’s public rooms are nothing if not baronial and include a capacious, 45-foot long double-height living room with dark-stained wood floors, a heavy beamed wood ceiling, massive carved stone fireplace that originally warmed an Italian castle and a towering Palladian window that opens to a small terrace with big city view. The room’s quirky pièce de résistance is an old timey minstrel’s gallery from where musician once serenaded residents and party attending guests. The partially panelled dining room isn't exactly the size of a royal banquet hall but is absolutely impressive with its hand-stenciled honeycomb pattern wood ceiling.

    Some of the other living and entertaining spaces include a library with fireplace, media lounge, and spacious, center island country kitchen with snack counter, built-in banquette seating, high grade appliances and fixtures and an adjoining breakfast room with a hand-painted groin vaulted ceiling. All in all it looks like the kitchen in a suburban macmansion but anyone who pay seven million for this place can surely afford to replace the existing kitchen with something more stylish and/or suitable for a house of this magnitude.

    The bulk of the property’s landscaped grounds are at the front of the house where’s there’s a giant circular drive but there are balconies and terraces all around, some with city views, and tucked back into the steep, planted hillside there’s a lagoon-style swimming pool with waterfall.

    In addition to the main manse, the impressively scaled compound includes a two story detached structure with a three car garage upstairs and a caretakers apartment plus art/music studio below. A second detached guest house sits high on the hillside above the swimming on a legally separate lot and includes a bedroom, kitchen and bathroom according to listing details."

    Last sold: Dec 2013 for $5,565,000

ENTRANCE GATE, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
ENTRANCE GATE, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
Acres of meandering paths led among deep green tree shrubs.  Settings were available for contemplative thought, reading or tending the gardens.
The grounds of "Park Hill" estate were once known for harboring the largest reserve of flowering camellia shrubs in the US.  The estate’s camellia garden is world-class and is a living legacy of a later owner, Ralph S. Peer, who was president of the American Camellia Society. In 1959, one of the world’s largest camellia bushes, an enormous 30-foot high specimen, was transplanted into the garden from its original site in Pico Rivera where it had been planted in 1887.
ENTRANCE, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
"PARK HILL", C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
ENTRANCE HALL,C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
One of the most impressive features of the DeWitt mansion is its dramatic oval entry hall sheathed from floor to ceiling in cut stone and featuring a marble floor imported from Florence, Italy. A sweeping staircase leads up to a musician’s balcony overlooking the enormous living room. Anchoring the room is an elegant 19th Century fireplace, which once warmed an Italian castle and a beautiful fountain composed of mosaic tiles commissioned specifically for the house and handmade in Italy.
ENTRANCE HALL, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
ENTRANCE HALL, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
LIVING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
The hand-carved patterns in the diamond-shaped panel have been touched with burnished gold.
LIVING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT

LIVING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
"HONOS - ALIT - ARTES"
Designed by Frederick Wilson
LIVING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
CORNER IN LIVING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
SOUTHEAST END OF LIVING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
VIEW - "the frequently traffic clogged mouth of Laurel Canyon in West Hollywood."


MINSTREL GALLERY, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
VIEW OF STAINED GLASS WINDOW FROM MINSTREL GALLERY, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
LIBRARY, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
DOOR IN LIBRARY, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT

DINING ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
An exquisitely turned mahogany door such as this provides its own note of decoration. The delicately wrought panels will catch the eye of the beauty lover and hold it with their delicate finish.

BREAKFAST ROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT
Showing Gray and Black Everlastic Tile Floor installed in Kitchen, Pantry and Service Quarters of the C. F. DeWitt Home. Corner of the Kitchen shown here.
BEDROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT

BEDROOM, C. F. DEWITT HOUSE, HOLLYWOOD
CHARLES H. KYSON, ARCHITECT

      wikimapia LOCATION. BING.




THE INDIVIDUALITY AND BEAUTY, CHARACTERISTIC OF THE EARLY GLASS WORKER, ARE REPRODUCED IN THE GLASS MOSAIC AND STAINED GLASS WINDOWS MADE IN OUR STUDIOS FOR THE C. F. DeWITT RESIDENCE, HOLLYWOOD

THE CALIFORNIA DOOR CO. 237-241 CENTRAL AVENUE LOS ANGELES
The doors above offer examples of beautiful workmanship in sufficient variety to sustain interest. 

Achievements in Door Designs - Charm, variety, skill, the soundest of materials—these qualities reflect the good taste of the home builder and the aim of The California Door Company. For exterior and interior use, doors such as these offer the very acme of design, workmanship and finish—every panel an interesting picture in its individual frame. Ask your dealer for "California" Doors








Monday, April 6, 2015

"HILL GROVE" RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA





 
"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 
ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

     George and Gertrude Lewis were from a wealthy San Francisco society family.  Their wealth and unusual marriage enabled the Lewises to create "Hill Grove", one of the most beautiful and most storied estates in the history of Beverly Hills.  The Lewises had what was known as a modern marriage. They didn't live together most of the time, and they didn't interfere with each others personal... activities.

    When the Lewises built "Hill Grove", Benedict Canyon was still mostly rural and largely empty of residences. Ranch land and a few citrus groves were located on the lower, flat terrain, and patches of chaparral and clusters of live oaks dotted the steep, arid hillsides. Benedict Canyon Drive was a dirt road. 

    Upon its completion, ten-acre "Hill Grove" was a startling sight. Its grand wrought-iron gates, which stood on dusty, unpaved Angelo Drive, opened into a long, paved driveway that wound up the hill to the mansion, passing the swimming pool near the bottom of the property and the expansive, grassy lawns, which required a team of gardeners for constant watering and care. 
   
    For an estate of its architectural distinction, extensive grounds, and prominent location. Hill Grove nonetheless received almost no public notice upon its completion in 1925. Why? George and Gertrude Lewis-in true, blue-blood fashion-did not actively seek publicity for the estate. They didn't need to get press coverage by showing off their home, or to send out publicity stills to newspapers and magazines to increase the adulation of their fans. They weren't a part of the Hollywood hierarchy.

    But they were starstruck. Or at least Gertrude Lewis was.

  "Ever since Hollywood’s golden age of silent movies in the 1920s, cinema fans have flocked to Beverly Hills to see the 'homes of the stars'. One Beverly Hills resident, Gertrude Lewis, did not have to leave her 10-acre 'Hill Grove' to see the most famous actors and actresses.

    They came to her estate, and, no, she was not a powerful producer or director, or the financial backer of films.

    From the early 1920s to the early 1950s, Gertrude Lewis’ sprawling 10-acre 'Hill Grove' estate—and her very grand Tudor mansion—was a favorite shooting location for films, and later some early TV shows. Why did Gertrude Lewis rent out Hill Grove as a movie location so frequently? She  wasn't hard up for cash.

    Gertrude rented the estate for locations, then donated the fee to several charities helping the poor.

    The real reason was that she got to meet each decade’s leading stars and watch the filming of major motion pictures. Gertrude Lewis had plenty of time for this 'hobby'. Her husband, George, who owned Shreve & Co., the famed San Francisco jeweler, lived in the family’s San Francisco house.

    He enjoyed the life of a bon vivant. Herb Caen, the noted San Francisco Chronicle columnist, told some of the stories.

    George Lewis, wrote Caen, 'who owned the most beautiful women in town, was a good man to know: If he took a liking to you, gold baubles floated your way.' Another time, Caen wrote: 'Millionaire George Lewis, silver Champagne bucket at left elbow, ravishing ‘keptive’ at right, presiding over his sycophantic circle at the old Templebar.

    They knew how to keep women in those days: Nob Hill penthouses and open charge accounts, cinq-a-sept and off to Amelio’s for Bill’s peerless martinis.' Gertrude Lewis obviously knew about her husband, and obviously, she did not care.

    She had her Beverly Hills estate, traveled to Europe for a year at a time, and enjoyed meeting all the stars at her estate.

    Was Gertrude also entertaining men-friends at her home away from her husband’s prying eye?

    Like several great Benedict Canyon estates, 'Hill Grove' was demolished and its grounds subdivided in the 1960s.

    Today, 'Hill Grove', which had been such a prominent Beverly Hills landmark for so many years, and which appeared in so many films, has vanished entirely, except for a street named Hill Grove, which was one of the estate’s driveways." Haute Living — Los Angeles

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

  Pictured at the front gate of the estate are Laurel and Hardy and Jacquie Lynn (the child) in a scene from Pack up Your Troubles

"Manhunt of Mystery Island"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
    Once the driveway reached the top of the hill, it traversed more flat lawn, passed through brick gateposts, and ended at the motor court with a circular lawn and lily pond in front of the mansion's main entrance.


Wayne Manor - "Batman & Robin"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

Wayne Manor - "Batman & Robin"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
ENTRANCE COURT
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

Larrabee Mansion - "Sabrina" (1954 film)
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

Larrabee Mansion - Sabrina (1954 film)
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
Larrabee Mansion - Sabrina (1954 film)
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
    The Lewis mansion was an extravagant and skilled-essay in the Gothic Revival: stone-trimmed archways; large, leaded glass windows; slate roofs; castle-like crenellations at some rooflines; and picturesquely clustered red brick chimneys. Extensive stone and brick terraces around the house provided spaces for walking, or for gazing over Benedict Canyon.


TERRACE
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

LIVING ROOM
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

DINING ROOM
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
VIEW INTO LIBRARY
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

LIBRARY
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

"HILL GROVE"
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE
BEDROOM
RESIDENCE OF MR. GEORGE LEWIS, BEVERLY HILLS, CALIFORNIA
 ALBERT FARR, ARCHITECT.   J. FRANCIS WARD, ASSOCIATE

        Soon after "Hill Grove" was completed, it played a leading role in Clara Bow's Kid Boots for Paramount in 1926. 

Kids Boots (1926)

Betty Co-Ed (1946)

    "Hill Grove" also appeared in Republic's King of the Newsboys (1938), starring Lew Ayres and Helen Mack; The Crooked Road (1940); You Belong to Me (1941), starring Barbara Stanwyck and Henry Fonda; and Night and Day (1946), a completely fabricated Warner Bros, bio-pic of composer Cole Porter starring Cary Grant as the apparently heterosexual composer and Alexis Smith. The estate appeared in Monogram's 1932 film Police Court

    George Lewis sold Shreve & Co. in 1948. According to Herb Caen, "George Lewis had to retire from running Shreve's jewelry store, because he doled out so much of the stock to pretty ladies. Square-cut, pear-shaped, they all looked alike to George"