"The appropriation for a house should be divided into two equal parts, one-half for the house, the other for the gardens, pathways, court, approach, terrace and the rest of it, or, as it might be termed, one-half for the pudding, the other for the sauce." Architect Thomas Hastings
William Henry Vanderbilt - 640 Fifth Avenue, New York City
THE interior of the mansion lately completed for Mr. W. H. Vanderbilt, in Fifth Avenue, New York, is described as being of unequaled magnificence.
ENTRANCE OF THE VANDERBILT HOME
The main entrance from Fifth Avenue is by a large vestibule, which gives admission on the left to Mr. Vanderbilt's own dwelling, and on the right to that of his daughter, Mrs. Sloane. Another daughter, Mrs. Shepard, has the northern half of the part of the building to the right of the vestibule, which is entered from Fifty-second street. The whole house can, however, when desired, be thrown into one vast suite.
THE MAIN VESTIBULE with the Demidoff Malachite Vase
The walls of the entrance vestibule are of African marble, with a frieze of figure subjects in mosaic, and with applied decorations of bronze. The pilasters and mouldings are decorated with rich mosaic, as are also the spaces between the bronze beams of the ceiling, where they are not filled with stained glass. The floor is likewise of mosaic. The mosaic work of this vestibule, and that of the smaller vestibule on Fifty-first-street, which gives access to the picture gallery, were made of glass and of marble by Pacchina, of Venice, from designs made in New York.
FRIEZE
Around the walls of the vestibule are seats and tables of a beautifully-coloured African marble.
THE GHIBERTI'S DOOR
Passing now to the right, through the gilded bronze doors, which are copies of the famous Ghiberti Gates in Florence (and which were made by Barbedienne, of Paris, and exhibited there in 1878), the visitor finds himself in a square, vaulted vestibule, with walls and architraves of a pale yellow marble, richly carved over the doors. Three bronze doors (besides the one already described) give access—the one on the right to cloak-rooms and dressing-rooms, that on the left to Mr. Vanderbilt's private reception-room, and the third to the main hall.
PERSPECTIVE OF THE ATRIUM GALLERY
This vast hall extends the full height of the house with galleries on each storey leading to the private living-rooms. Square columns of a deep red marble, with rich capitals of bronze, support the galleries.
ATRIUM GALLERY - THIRD FLOOR
The friezes around the hall on each storey are a mass of figures, wreaths, and garlands in high relief, coloured in harmony with the surroundings.
THE ATRIUM GROUND-FLOOR
The hall has a richly-carved wainscot of English oak, about 12 ft. high, and opposite the entrance is a mantel-piece built up the whole height of the storey, in the shadow of the gallery. This mantel is of the same red marble as the columns, adorned with a profusion of bronze ornament, and flanked by bronze female figures in high relief.
STAIRCASE With Lampidiere by Noel
To the right as one enters is a wide staircase. The newel, not yet completed, is to be, a female figure, holding an urn from which a light will issue—the whole to be of bronze, marble, and enamel, skillfully blended.
COMMERCE BY LA FARGE Stained Glass Designed by Lafarge
The staircase is lighted by nine large windows with stained glass by Mr. John La Farge, noticeable for the fine arrangement of colour, and especially for the management of greens and blues. All the stained glass is Mr. John La Farge's work. All of the marble was imported especially for this house, and much of it is very rare, especially the beautiful red and yellow Numidian or African marble. The latter was brought from distant quarries long disused. The onyx, used particularly in the drawing-room, is also from Africa, and much more beautiful and delicate than the greenish-toned Mexican onyx, which is better known. Messrs. E. L. Fauehere & Co. made all the marble work. Admirable finish and workmanship are shown in the bronze work, which is used in many parts of the interior in connection with marble and with wood, besides as stair-railings and balustrades around the hall, and in the massive entrance doors. Mr. Henry O. Bernard, of New York, had the charge of its execution. The outside railings and the lamps were the work of Berseau Brothers, of Philadelphia.
ENTRANCE INTO PICTURE GALLERY FROM HALL
Halfway between the first and second stories is a landing as large as an ordinary room, from which one may pass to the gallery of the aquarelle room, which looks out through a wall arcade into the picture gallery. Similar arcades open from the conservatory opposite, and from the second storey hall, the latter being intended for the musicians when an entertainment is given.
The door at the east end of the hall, flanked by massive oaken seats, leads to the drawing-room. The paintings for the ceiling of the latter stately apartment are by Galland, and are now on their way to New York, the present ceiling of blue and gold being only temporary.
A PORTION OF FRIEZE AND CEILING Drawing-Room
The woodwork of this room is profusely carved, and has beautiful inlays of mother-of-pearl. The whole is gilded and glazed with warm tints. The wall spaces are hung with a pale red velvet, embroidered with designs of foliage, flowers, butterflies, &, the colour scheme culminating in the cut crystals scattered throughout the embroidery, and suggesting dewdrops or precious stones. Around the room, at each side of the doors, stand rich columns of onyx, inlaid with bronze, and with bronze capitals, carrying baskets or vases made of bronze and rich stained glass, by means of which a mellow light is shed over the room. Clusters of lights springing from the vases give the more brilliant part of the illumination. In the corners of the room are female figures in solid silver, which carry clusters of lights, while the wall behind each figure is covered with mirrors. The carpet of the drawing-room was woven in one piece, by hand, to fit the room. The whole room gives an effect of richness and brilliancy of colour which is difficult to imagine or to describe.
NORTH-WEST CORNER OF DRAWING-ROOM With Portion of Galland's Fete
At each end of the drawing-room gilded and carved sliding doors, draped with rich curtains, give access on the north to the library, and on the south to the Japanese parlour.
THE LIBRARY SOUTH-WEST CORNER
The most striking feature of the library is the inlaid work, of antique Greek pattern, in mother-of-pearl and brass, upon a ground of rosewood, which forms the decoration of the book-cases, mantel, and doors. The furniture is designed in the same style and workmanship. The fretted ceiling is of rich work, with incrustations of small square mirrors.
THE ANTE-ROOM TO LIBRARY
In the doorway, on the west of the library, hang heavy rich curtains of Oriental embroideries, which separate it from Mr. Vanderbilt's private reception room. The latter is fitted with a high mahogany wainscoting, with settles and book-cases of the same material, and a massive ceiling of mahogany, with decorations in stamped leather.
JAPANESE PARLOR
The Japanese parlour, on the south of the drawing-room, testifies as strongly as any room in the house to the skill and resource which have been drawn upon so lavishly in the entire structure. It is modelled and furnished entirely in a free Japanese fashion. The ceiling is of bamboo, with an open truss ceiling of wood resembling the red Miaco or Soochou lacquer, which is the treatment adopted for all the woodwork, and is hero and there picked out in the low yellows and greens of the red Japanese lacquer work. A low-toned tapestry on the walls is covered in places with panels of Japanese uncut velvet, in curious designs, and the furniture and cushions, &, are also of this velvet. Around the room runs a low cabinet of fantastic Japanese shape, with innumerable shelves, cupboards, and closets. At different points are beautiful panels of bronze, of which the different details are picked out in gold and silver and in varied metallic colours. A screen of stained glass forms a recess on the Fifth Avenue side. By the door leading from the west of this parlour, access is given to the dining-room, which has also an entrance on its east side directly from the hall.
DINING-ROOM
The dining-room is in the manner of the Italian Renaissance, and entirely distinct in character of treatment from any of the other rooms. It consists of an arrangement of glass-faced cases, holding the silver, porcelain, and glass, supported by rich consoles that rest upon a beautiful wainscot. The wood is of English oak, of a rich mellow brown-golden hue, and of great beauty. The panels of the ceiling are filled with fruits and foliage, beautifully modelled and picked out in different colours of gold. The furniture is in a style to correspond, of English oak, with brass ornaments, and covered with stamped, highly coloured leather of special designs.
THE PICTURE GALLERY
The entrance to the picture gallery is at the west end of the main hall opposite the drawing-room, so that a vista of the whole depth of the house is obtained in that direction.
THE PICTURE GALLERY
The picture gallery, with its entrance on Fifty-first-street, occupies the whole rear of the house. It is 48 ft. long, 32 ft. wide, and 35 ft. high. Over the doors on the north, east, and south sides are balconies connecting with the second storey of the house,the balcony on the south side over the Fifty-first-street entrance to the gallery opening into the conservatory, that on the east side over-the main entrance from the house opening into the second story hall, and that over the north door opens into the second storey of the aquarelle room. The west wall of the picture gallery is occupied by a monumental mantelpiece of red African marble, the overhanging cove being inlaid with glass mosaic work. The woodwork of the room is black oak with San Domingo mahogany for the caryatides and pilasters. The fire-place is in a deep recess with seats on either side.
TRIUMPH OF CUPID
The description of the second storey of the house may begin with the family parlour at the north-east corner, looking out on Fifth Avenue, a room 18 ft. wide by 20 ft. long, entirely finished in ebony, inlaid with ivory. The large mantel-piece at the north side of the room is capped by a frieze painted by Mr. Christian Herter, consisting of an allegorical representation of the Triumph of Cupid. The ceiling is divided into small panels with paintings of children at play. The walls are covered with a dark blue silk brocade made in France from designs furnished by Messrs. Herter Brothers, who have executed the whole of the decorative work.
"DAWN"
The next room on the Fifth Avenue is Mrs. Vanderbilt's bedroom, finished by Alard of Paris, the walls hung in silk and white marble, and the ceiling covered with Lefebvre's painting of the Awakening of Aurora. The frieze and cove of the room is in rosewood and mahogany. One curious feature of Lefebvre's painting is that, as placed at present, the sun rises in the west. The room is 20 ft. square.
MR. WILLIAM H. VANDERBILT'S BEDROOM
Adjoining it is Mr. Vanderbilt's room, finished in rosewood, inland with satin wood, the ceiling divided off in painted panels one foot square.
Some notion of the magnitude and cost of the work in connection with Mr. Vanderbilt's house may be inferred from the fact that between 600 and 700 men were employed upon the interior decorations for a year and a half. Sixty foreign carvers and sculptors were employed for two years, having been engaged in Europe for the work and brought to the United States under contracts which assured them pay at an average rate of $60 a week and passage both ways.
Click on the Label - Vanderbilt - below for all past post on 640 Fifth Avenue plus other Vanderbilt Family homes.
On May 24, 1928 a housewarming party was given at the new home of Samuel A. Salvage "Rynwood" timed to celebrate the English holiday Empire Day. A now largely forgotten anniversary, perhaps only grandparents will recall the chant Remember, Remember Empire Day, the 24th of May.
... from the British Isles, India and Africa, as well as from Canada
and many a point in the U. S. ... came the 1,500 guests bidden to
Millionaire Salvage's unique house-warming.
August 19, 1928
A $30,000 Party - Wealthy Samuel Salvage Broke a Record For Lavishness when
He Hired a Special Train For His 1500 Guests, and, Brought Them All Down to
Dedicate His New Million Dollar Home.
LET'S give a garden party. Sounds simple and inexpensive. But if you had
received word that the British Ambassador had accepted your invitation to be
an honored guest and you had a million-dollar estate to dedicate, you might
abandon pocketbook control and arrange an entertainment of the proportions
of that over which Samuel Salvage recently presided at his baronial Long
Island home. It is estimated that the little social function cost the host
some $30,000.
***$30,000 in 1928 is worth $468,515.79 today.***
... spats flashing, kilts slapping,
shakos
a-bob, the famed
Black Watch
Pipers paraded back and forth on the verdant carpet of lawn, their
bagpipes wailing bonnie Highland tunes.
A native Englishman who has taken up his residence in America, Mr. Salvage
undertook to reproduce an English country home in the grand manner when he
built, his Long Island residence, on a wooded hill, in the exclusive North
Shore community about the village of Glen Head. And to celebrate the
completion of one of the surpassingly beautiful country seats in a district
known far and wide, for its palatial establishments, he decided to stage a
unique garden party housewarming.
Empire Day—observed by all good Englishmen—and the, dedication of the great estate
were celebrated at the same function. Sir Esme Howard, the British
Ambassador, came from Washington especially to be present, and other social
and diplomatic dignitaries added to the distinction of the occasion by their
presence. A military band of 40 pieces, a miniature symphony orchestra, a
choir of 70 voices and a troop of Indian players were engaged, and a kiltie
band of 22 men was brought from Canada as a special feature.
The approach road entered the property at a gatehouse at the northwestern corner, curved around part of the northern perimeter, skirted thick woods, crossed a bridge over a ravine, and ended at a circular turn-around in front of the house. To the east of the house and well out of view was a large farm group.
In order that the guests might arrive at the party without any discomfort,
and as trains from the city, 20 miles away, were apt to be overcrowded and
highways leading to the estate involved in traffic entanglements, the host
chartered a special train on the Long Island Railroad to convey members of
the party from Pennsylvania station.
Beyond the two formal gardens on the west side of the house was a swimming pool within its own garden enclosure and a tennis court and, beyond these, a large meadow.
Twelve railroad cars were necessary to comfortably seat the passengers. A
fleet of buses several blocks long awaited the arrival of the
special at the Long Island village, and transported the guests quickly over
the country roads of the picturesque district to the gatehouse of the
Salvage estate.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
A great stone house, wherein the gatekeeper and his family live, stands
beside the ornate iron gateway. A special police guard had been stationed
there.
This profusion of petunias is in the very simple Cotswold garden
which relates to the gate house at the estate entrance.
The high stone walls, when passed by the incoming guests, revealed a vivid
garden of summer blooms.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
PASSING up a long winding road from the gatehouse through the grounds of
the place, the green lawns came to an end and the road led into a wood
which crowned a hill.
BRIDGE OVER RAVINE, MAIN ENTRANCE DRIVE
On through the woods, a picturesque, high vaulted bridge soon appeared, and
after crossing it the motors came to a stop before the entry way of a manor
house which a member of the oldest old world nobility would be proud to call
his own.
ENGLISH-STYLE MANSION of the late Sir Samuel Salvage is surrounded by lovely gardens, a swimming pool, dovecot, greenhouse, rose garden, teahouse and tennis court. All this bears witness to the success achieved by Sir Samuel, who came to the U. S. as plain Samuel Salvage, made a fortune in rayon and was knighted in 1942 for his work with British War Relief by King George VI. Two of his daughters married brothers, Frank L. and James P. Polk, descendants of President James K. Polk. LIFE 1946
In spite of the newness of the place, Long Island gardeners had surrounded
the house with green shrubbery, and about the manor there was the atmosphere
of a home long established.
Upon entering the house, the guests were greeted by the celebrated
Jerome of Sherry's. No man in New York has a wider acquaintanceship among the
prominent residents of Manhattan and its environs than has he. Jerome handed
each guest an address book with a tooled leather cover, upon the back
of which an inscription in gold letters—a memento of the garden
party.
Other liveried members of the Sherry staff augmented the representative of
the Salvage household in the entrance hall.
Ambassador Sir Esine Howard, Host Salvage and one-time Presidential
Candidate
John W, Davis
...... chatted on the greensward.
Guests were directed to the great room adjoining where they were
received by
Sir Esme Howard, British Ambassador to the U. S., Sir Harry Gloster Armstrong, the
British Consul-general in New York, and Lady Armstrong, as well as by Mr.
and Mrs. Salvage.
On the east side of the house, beyond grass terraces, were a paved
court planned around an existing oak tree, as well as a service
court and a fountain garden.
Through the windows came chamber music selections from an orchestra of 16
pieces, playing in the shade of a lofty tree which had been persevered by
the structural and landscape architects in building the place.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
Passing through the reception room and out an open door at the other
side, guests came upon their first view of the extensive formal gardens,
which, like the residence, had just been completed. An uncovered terrace
looked upon the west garden.
Westerly loggia of living-room.
LIVING ROOM PORCH
SUN ROOM ARCHES AND WESTERN TERRACE.
The library, sun room, and living room all looked out onto a rose
garden and a large flower garden.
From the other end of the garden terraces could be heard the music
of the band of New York's Seventh Regiment. Proceeding in the direction of
the music, which was not intermingled with that of the orchestra because
of a wing of the house, a fountain was reached to which tropical fish
added the vividness of their color and on all sides were plots of flowers
in the prime of bloom.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
WEST FACADE FROM UPPER FLOWER GARDEN
Particularly attractive were the vari-colored tulips, few of which had
stems less than 24 inches in length, blooms that would have taken prizes
in any flower show.
Dovecote modeled alter a similar structure at
Snowshill Manor
in the English Cotswolds.
A view down a side path in the main garden and a glimpse of the
conical tile roof of the dove cote.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
To the right was a tea house, where a dozen men in liveries presided at a
table agleam with great silver bowls in which were various delicacies. The
background was provided by the woodland trees on this side, but other
sides were lined with stone walls with openings leading to steps to
surrounding garden plots.
TEA HOUSE AND POOL IN UPPER GARDEN.
Here a box hedge edges both the main grass path and the enclosed grass
circle in the center of which is a severely simple, circular reflection
pool above which hang the branches of a large crabapple tree.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
At the far side of the garden there was an opening with steps leading
down to a grass terrace, in the center of which was a stone swimming pool.
On either side were small bath pavilions of the same structural material
used in the house construction and garden embellishments.
The swimming pool is flanked by a hemlock hedge behind which on
both sides rise dogwood trees.
The curving steps in the distance (designed, like all the other
architectural garden details except the tea house, by Mrs. Shipman) are
so planned that their reflection in the pool gives the effect of a
waterfall.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
RETRACING the main pathway back to the higher level garden and turning to
the floral display through the gateway at right angles, a violet garden
was reached, Here were woodland blossoms grouped in large beds in
varieties of colors.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
Beyond and up several steps was the open lawn with its stone balustrade,
on a slightly elevated terrace above which played the orchestra,
surrounded on three sides by the stone walls of the house with the glassed
enclosed loggia along the main part of the background.
LIBRARY WING FROM SOUTH TERRACE
LIBRARY WING FROM SOUTH TERRACE
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
WALL AND STEPS BETWEEN GRASS COURT AND SOUTH TERRACE
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
DOOR AND OVER-BALCONY IN NORTHWEST CORNER OF GRASS COURT.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y.
Roger H. Bullard, Architect
AN East Indian play was then presented. Clad in costumes of the Orient,
the dusky members of the troupe appeared from the far side of the terrace
and took their places in a semi-circle while one of their number chanted a
prelud with occasional vocal responses from the chorus. A quaint dramatic
skit from the East was then enacted, lending an amusingly exotic note to
the colorful goings-on in rich Mr. Salvage's Long Island garden.
The Scottish Treble Choir ... in their steel-gray robes they
stood on the swimming pool terrace, sang ancient Scottish
airs.
Not satisfied with calling an end to the program with features, Mr.
Salvage had engaged the Scottish Triple Choir which sang at the other end
of the garden, on the steps leading to the swimming pool terrace.
Garbed in their steel gray robes, they offered ancient songs from the
highlands, as the sun was lowering behind the far hills.
Mrs. Samuel Agar Salvage ...... smilingly presided as hostess at
a garden function the like of which U. S. society has seldom
seen.
In the assemblage at the Salvage's elaborate fete were more than 1,500
guests. Garden parties as well attended have been often held in the hill
estates on Long Island's North Shore, but few indeed have been the
entertainments approaching those presented on this magnificent estate. And
few such house-warmings are recorded in U. S. society annals.
A small army of cooks and waiters prepared and served the delicacies that
delighted those favored with invitations. These men took charge of the
kitchen as well as the various serving centers and stayed at their posts
until the party had come to an end.
ASIDE from the musical and other features, the Salvage house-warming was a
social gathering of a sort seldom held on these shores. For inasmuch as
Empire Day, the birthday of Queen Victoria, was celebrated,
representatives of various nations in all of the world were
included.
From Canada and the British Isles came many of the garden party guests.
Others were from India and Africa and the many other localities under the
sovereignty o£ King George and Queen Mary. The Church was well represented
with formally garbed clerics.
At the conclusion of the afternoon the most impressive ceremony of the day
took place. Returning to the lawn terrace after the vocal program, the
Seventh Regiment band took a position beside a flagpole from which waved
the Star and Stripes. Nearby was another mast from which floated the
British Union Jack.
With all the guests gathered about and the brilliantly setting sun casting
its last shadows, the British Ambassador gave a short address and there
was also a talk by Mr. Salvage before lusty cheers were shouted for
President Coolidge, King George, the Ambassador and host Salvage.
Uniformed American sailors stood at attention by the pole bearing the
American flag, and when the band sounding the national anthem, they
superintended the lowering of the emblem. The Canadian delegation presided
at the lowering of the Union Jack, to the strains of "God Save The
King".
IT was estimated that the lavish house-warming, which was a celebration of
Empire Day as well, cost Host Salvage at least
$30,000. What with the special train from New York and the fleet of buses to
take the small army of guests from the train to the Salvage estate, and
the elaborate program of music, and the ambitious array of refreshments
prepared and served by a numerous corps of skilled caterers—the cost would
have been nearly that.
In addition was the expense of the great lawn canopies to be used in case
of rain, the expansive special plantings of flowers, the considerable item
of decorating the big manor house with rare blooms, and, probably, several
thousand dollars worth of incidentals.
The medal's obverse bears bust of Salvage facing right. Around
top, • SAMUEL • AGAR • SALVAGE • The reverse bears crown at top,
feather at bottom. Flanked by female figure holding what appears
to be oil lamp at left and male figure holding chemical reaction
vessels at right, DISTINGUISHED / ACHIEVEMENT/ • AMERICAN
• VISCOSE • / • CORPORATION • SOURCE
Samuel Agar Salvage is president of the
Viscose Company, said to be the largest producers of textile fibre in the United States.
He was largely responsible several years ago for the substitution of the
word "rayon" for the phrase, "artificial silk", which brought much
favorable comment on his behalf from all parts of the world.
"The Point" at Fisher's Island, NY
The Salvages spend only part of the year on Long Island. Their summer home
is "The Point" at Fisher's Island, where they go with their two young
daughters, the Misses Katharine and Margaret Salvage, soon after warm
weather sets in.
While in residence at Glen Head, Mr. Salvage commuted to and from his
Manhattan office in his luxurious yacht, the "Colleen", This vessel, a
steam craft, is fitted for long cruises and is so equipped and manned that
the owner may have his breakfast aboard on his way to town, and returning
in the afternoon he may enjoy tea served on deck while steaming up the
waters of Long Island Sound. Each summer the Salvages make extended
voyages aboard the "Colleen", visiting many of the popular watering places
along the Atlantic coast.
Little Miss Katherine Salvage, Fair Sponsor of
Colleen THE RUDDER 1922
LAUNCHING OF POWER YACHT COLLEEN George Lawley & Son Corp., Builders. Benjamin T.
Dobson, Designer. Samuel A. Salvage, Owner. Miss Peggy Salvage,
Sponsor. Length over all, 110 Feet; Length on Water Line, 102
Feet; Breadth, 18 Feet. Two Winton-Diesel Engines, 150-H.P.
Each. Speed, 15 Knots
A Bow View of Colleen Just After her Launch.
Members of the Colleen Launching Party - The Owner, Samuel A.
Salvage, Mrs. Salvage, Mrs. Charles Belknap, Miss Frances
Belknap, Mrs. H. A. Wilmerding and Peggy and Katherine Salvage
in the Foreground. The Latter was Sponsor.
Early in World War II, the yacht was turned over to Harvard university's
Underwater Sound Laboratory and was used in experimental work to develop
and improve sonar equipment, and to develop antisubmarine warfare
tactics.
Mrs. Salvage and her daughters are quite as fond of riding as of yachting
and one of the most important departments of the Salvage Long Island
estate is its stable of thoroughbreds.
The rambling Tudoresque house, designed by Roger H. Bullard and constructed
of limestone, was completed in 1928. Salvage, founder of the American rayon industry A flagstone path connected the dovecote with a teahouse on the far side of
the large flower garden Near the dovecote were box shrubs, hydrangeas,
phlox, and small fruit trees. Some of the beds near the house were
mass-planted with petunias. In the center of the teahouse garden was a pool
edged with Bergenia over which hung an old apple tree.
Around 1980, the grounds around the house were redesigned by Innoccnti and
Webel. Shipman's plantings had probably disappeared much earlier, but
Innoccnti and Webel did preserve her garden spaces, which remain, as do the
dovecote and teahouse.
ARCHITECTURAL FORUM - 1930
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The model was constructed by using cardboard for buildings and the
architectural features, and using tiny sticks and bits of sponge for
trees and foliage. The architectural and other details were
painstaking and accurate, and everything was colored to give the
natural effect.
"RYNWOOD" the home of Samuel A. Salvage at Glen Head, New York, is a free
interpretation of a British-American country house. Planned so as to take full
advantage of its natural surroundings, a rolling terrain thickly wooded with
large oak trees, the house and its immediate gardens conform to the varying
levels in a naturally graceful and related whole.
He named the home for his wife, Mary Katherine, or “Ryn,” and the
wooded acres on which the house sits.
There is no evidence of a forced arrangement or an attempt for effect,
but rather a feeling of repose and inviting simplicity. For a house of such
proportions this is not always easy to attain, but it has been accomplished
here by a logical irregularity of plan which allows for a low-lying, rambling
structure with varying courts and terrace gardens adjoining, each designed so
that it is an integral part of the whole.
MAIN ENTRANCE GATE AND LODGE.
An antique bell, probably of English origin, complements the quarry
faced buff limestone of the gate lodge at the entrance to the Estate
of Samuel Salvage at Glen Head,L. I. Roger Bullard, architect.
The approach road entered the property at a gatehouse at the northwestern
corner, curved around part of the northern perimeter, skirted thick woods,
crossed a bridge over a ravine, and ended at a circular turn-around in front
of the house.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
Approaching the property from the main highway, one passes through a walled
cottage garden flanked on one side by a small stone gabled gate
house.
ENTRANCE DRIVE
The roadway winds easily up the wooded rise to a stone bridge which leads
across a ravine to the low-walled entrance forecourt so characteristic of the
English home.
ENTRANCE FORECOURT
An Old Fashioned Lamp Post in the Forecourt.
The main front being unsymmetrical in design, establishes the simple
and informal character which prevails throughout. This is apparent also in the
disposition and treatment of the window openings and the bays, the windows of
minor importance being leaded with diamond panes and the others with
rectangular.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
WINDOWS OF LIVING ROOM ON ENTRANCE FACADE.
IN THE FORECOURT.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The entrance porch and large two-story bay are so placed as to conform to the
interior arrangement of the plan.
ENTRANCE PORCH FROM FORECOURT
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The gardens designed to go with the house, which is of the
Seventeenth Century Cotswold style, are rich in the appeal of intimacy
and simplicity.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
At the right and left of the main front, which rightly faces the north, are
iron grilled gateways; that on the right leads to the walled-in main garden,
and that on the left to a paved court, flanked on two sides by service wings,
and on a third by the owner’s study and the billiard room of the main
house.
GATEWAY FROM FORECOURT TO PAVED COURT.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
A gnarled old apple tree rises from the terrace that lies between the
house and the main garden, from which the gate leads to the entrance
court.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
On the east side of the house, beyond grass terraces, were a paved
court planned around an existing oak tree, as well as a service court
and a fountain garden. All of these formal areas were surrounded by a
wall.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
In this paved court a feature was made of a large oak tree, the roots and
base of which are carefully protected by flagging laid on edge as a
coping.
Dog Drinking Trough and Flower Bed in Paved Court.
Ferns and a small drinking trough for dogs occupy the small enclosure around
the tree. The paving is laid in a pattern by using worn cobblestones and
flagging, with borders left for planting against the walls.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
CORNER OF SERVICE COURT.
Beyond this paved court an archway leads through the service wing to the
service yard beyond.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The south side of the main house has a commanding view overlooking rolling
country, the main rooms having the full benefit of this exposure. A grass
court formed by the library wing on one side and the dining room wing on the
other is in interesting contrast with the paved court on the northeast.
The grass court from the south terrace.
These courts, which serve a practical purpose in adding circulation and
privacy, have much to do with making the whole design cohesive and complete.
The grass court connects by broad stone balustraded steps with a wide terrace
below, which in turn leads down by succeeding flights of steps, to a lilac
walk and wooded ravine. West of this lower terrace there is a formal walled-in rose garden which is
just below the main flower garden.
The rose garden which connects with the grass terrace where the
large, well placed honey locust is such a dominant feature. The steps
at the left of the rose garden lead to the perennial garden.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
GABLE END OF LIBRARY WING.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
At one corner of this rose garden a round dove-cote with steps gives access
to the upper garden.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
Opposite, on the north side of the main flower garden, is a small tea house
open on the front which, with the high stone walls, shuts in and protects the
garden on the north.
Here a box hedge edges both the main grass path and the enclosed
grass circle in the center of which is a severely simple, circular
reflection pool above which hang the branches of a large crabapple
tree.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
A flagstone path connected the dovecote with a teahouse on the far
side of the large flower garden.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
Grilled Window in Tea House "Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
West of the main garden an apron of semi-circular steps leads down to the
swimming pool and lower garden, at the west end of which a further flight of
winding steps leads to the tennis court below.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
THE “APRON” STEPS LEADING FROM THE SWIMMING POOL GARDEN UP TO THE
MAIN FLOWER GARDEN
LIVING ROOM PORCH FROM SWIMMING POOL GARDEN
The swimming pool is flanked by a hemlock hedge behind which on both
sides rise dogwood trees.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
These terraces and gardens surrounding the house and intimately connected
with it have solved the difficult problem of fitting the house into the
irregularities of the site, without sacrificing either the original character
of the landscape or the many fine existing trees.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
To return to the design of the house itself, the outer walls of “Rynwood” are
of rough limestone, buff in color with a good deal of warmth which has already
acquired a certain quality of age despite its having been exposed to the
elements for only three years. This limestone is adaptable to the careful
cutting necessary for the many details which contribute to the charm and
intimate quality of the exterior design.
DOOR FROM SUN ROOM TERRACE INTO LIBRARY.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
All of the several doorways differ in design, and each has been individually
treated in the matter of trim and detail.
DOOR FROM WESTERN TERRACE INTO SUN ROOM.
Lantern on the Samuel Salvage House. Roger Bullard, architect.
Executed by Samuel Yellen
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
Some suggest a Scottish origin and others a Cotswold precedent. In fact the
entire house strongly suggests the simple character of the stone houses of the
Cotswold hills.
An open loggia overlooking the garden at 'Rynwood" the home of Samuel
A. Salvage, Esq. the stone wall dial which registers the hours
combined with the small window is an interesting feature of the gable
end. This with the flagged terrace and luxuriant planting relate the
garden to the house.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The wall sun-dial combined with a small latticed window in the gable end over
the arched west loggia on axis of the main flower garden, is an example of an
architectural decoration used for a practical purpose.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The chimney stacks of varying shapes compose with the gable ends to give
interesting compositions from all angles. Some of the chimneys are carried up
from the ground in stepped weatherings and terminated by diagonal stacks. The
roof slates, which are gray with a slight variation toward russet, are laid
with a fairly narrow weathering, which diminishes slightly as they approach
the lead-covered ridge. Lead, which combines well in color with the limestone,
has been used throughout for the casements, leaders and gutters.
Details of Decorative Leader Heads
Details of Decorative Leader Heads
Many different designs have been used in the leader heads and leader straps
to give added interest and freedom to the exterior design. Iron has been used
for the railing and flower pot holders of the second floor overhanging balcony
and for the grilled window openings of diamond shape in the tea house and
garden loggia and for the garden gates. The bell cote surmounting the garage,
which serves as a motif of design as well as a practical use, is operated by a
pushbutton in the owner’s private study. By means of this bell any of the
outside servants may be summoned. As the chauffeur’s cottage, gardener’s
cottage and greenhouse are all made integral parts of the entire group of
buildings, the relation of these various units and courts to the main house
gives a composition of unusual interest.
Corner bay in entrance-hall, overlooking south court.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
Entering the house through a stone gabled porch of modest proportions, with
balustered openings on the sides, and through a stone-arched vestibule, one
comes into a spacious stair hall having an uninterrupted view through the
corner bay window at the opposite end out onto the grass court and south
terrace.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
A warmth of color is secured by the use of some English stained glass
medallions set into the latticed casements, and by the hangings of crewel
work. The walls are of sand-finished plaster broken by sturdy stone-arched
openings leading to the important rooms, and by small doors leading to
numerous closets and duffle rooms. The ceiling of the hall is of oak planks
supported on hand-cut timbers with chamfered edges.
STAIRWAY OFF ENTRANCE HALL.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The floors of the hall, the loggia and the sun room are all of a buff-toned
flagging, cut on a diagonal in the hall and sun room, and laid as a pattern in
the loggia.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
This loggia which leads from the stair hall to the sun room has a groined
vaulted ceiling and arched openings giving onto the grass court.
Loggia south of living-room.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The large living room is paneled in English oak in the Jacobean style with
carved frieze and fluted pilasters and a large fireplace with carved limestone
shelf and facing, and carved oak overmantel. The fireplace linings in all of
the rooms are of Guastavino tile laid on edge in various patterns.
Living-room fireplace.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The large room known as the library, which occupies the entire west wing, is
open up to the roof ridge, with huge supporting timber trusses and roof
rafters.
The "big room" or library.
WEST WALL OF LIBRARY SHOWING BEAM CONSTRUCTION OF ROOF.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
At one end a gallery is reached by a stone spiral stairway under which is the
entrance into this room from the sun room. The two-story bay window on the
south side floods the room with sunlight a good part of the day.
Stone spiral stairway leading to the library and the owner's
sitting-room.
The only elevator is in the servants’ area, indicating that Sir Samuel knew
how hard the staff worked and its need for some convenience.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
The dining room has sand-finished plaster walls with a moulded plaster
frieze, overmantel and door trim, making an interesting contrast with the
several paneled rooms. Lead grilles of interesting design have been used over
the openings of the heating ducts in the loggia and sun room.
DINING ROOM.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
Many of the fireplaces and stained glass medallions were imported from
England and English Oak is used throughout the interior. In the lower and
upper halls, hand cut timbers decorate the ceiling.
FIREPLACE IN BILLIARD ROOM.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
A heavily paneled room, appointed with a 7th-century Tuscan table
flanked by 8th-century Tuscan chairs, serves as Banfi’s
boardroom.
An oak panelled recessed fireplace with bookshelves and a bay of
leaded casement windows are interesting features of this large bedroom
in Samuel A. Salvage’s "Rynwood House" at Glen Head, N.Y. Roger H.
Bullard, architect.
Fireplace alcove in the children's room.
A man's room with eighteenth century furniture. The bed is canopied
in blocked linen and spread with blue sateen bound in red. Lord &
Taylor, interior decorator.
"Rynwood", House of Samuel A. Salvage, Esq., Glen Head, N. Y. Roger
H. Bullard, Architect
http://wikimapia.org/#lang=en&lat=40.833408&lon=-73.595974&z=16&m=w&show=/36121732/-Rynwood- Madgelaine’s coming-out party, a large supper-dance there, was one of
the most important social events of 1935. This English Cotswold was built in 1927 and, while not of historic value, is
mentioned because of its exceptional architectural beauty and scope. Owned and
built by Irish born Sir Samuel A. Salvage and his wife (nee) Katharine Hoppin Richmond, it was designed by Roger Harrington
Bullard and received wide acclaim in the media when the house was
completed. Many social events were held there over the years, the highlight of which was
Empire Day late in 1927 when the British Ambassador to the U.S. and many other
national and local dignitaries attended the garden party. Constructed of Indiana limestone, the Elizabethan Manor style was a
triumph. Each room on the main floor has a view of the courtyard or terraced
garden with access to the garden by way of imported-English doors decorated
with Scottish motifs. It had leaded windows, oak panelling, and arched
doorways. The gardens were designed originally by Ellen Shipman and were known
internationally for their award winning plantings.
Pool Painted Bright Blue Mr. and Mrs. Samuel Agar Salvage of
Glen Head have a large swimming pool at Rynwood. Landscaped with
successive blooming shrubs and flowers and painted a bright robin's
egg blue inside, the pool is the center of the Summer life of the
large family and many guests.
Long Island Estate Pools More Popular Than Beaches Many Entertain
at New Swimming Places on North Shore — Samuel A. Salvages and
Charles McCanns Among Owners
July 25, 1937
GLEN COVE. L. I., July 24. - Society members, both young and old, this season
have forsaken the North Shore beaches adjoining their estates in favor of
private swimming pools. Many parties that formerly were held on the sand at
the shore are now staged with the central setting of the pool in the
garden.
The popularity of the artificial swimming place has been growing ever since
the harbors became so full of yachts and the increasing motor tourists
ferreted out every available beach on which to have picnics. Even the clubs
that boast a shore front and bathing beach have built pools for their members
who do not care for the uncertain hygienic condition of the public waters.
Wide publicity given this season to the pollution of bathing beach waters has
made the pool even more popular.
....."His chief hobby was growing flowers and in this a vocation he won for
three consecutive years, from 1933 to 1936, the gold shields of the Holland
Bulb Exporters’ Association at the International Flower Show at the
Grand Central Palace, New York. His estate at Glen head, L. I. contained one of the showplace
gardens of the country"..... The Cincinnati Enquirer July 11, 1946
"DuPont’s major U.S. rayon competitor, Courtaulds’ Viscose Company. Their two
representatives, Samuel Agar Salvage for the Viscose Company and Leonard A.
Yerkes for DuPont, served as president and vice president of the Rayon and
Synthetic Yarn Association. Founded in 1929, this organization had the
superficial trappings of a standard trade association: it included most U.S.
rayon manufacturers of the day under one big tent, predominantly viscose
producers, but also what remained of those still using other methods, such as
cuprammonium. Salvage and Yerkes called the shots. In the battle over foreign imports,
Salvage spearheaded a successful lobbying effort to maintain trade protections
(already well established). This was accomplished by the inclusion of fairly
hefty duties on imported rayon in the
Smoot-Hawley tariff
legislation winding its way through Congress in the spring of 1930.
Domestically, DuPont and the Viscose Company had already agreed to curtail
production in order to stabilize prices through reduced supply, but this
effort was being undermined by suppliers that cut prices to increase their
share of the reduced market. In July 1931, when the other companies would not
fall in line, Salvage and Yerkes agreed to cut their own prices. The Viscose
Company and DuPont abruptly left the Rayon and Synthetic Yarn Association,
effectively disbanding the group that they had been instrumental in
creating."
June 12, 1908
SALVAGE—RICHMOND. Yesterday afternoon, at St. George’s Episcopal Church, Flushing. Miss Mary
Katherine Richmond and Samuel Agar Salvage were married by the Rev. Henry D.
Waller, rector of St. George’s parish, a brother-in-law of the bride. Mrs.
Harry A. Wilmerdig, a sister of the bride, was matron of honor, and the
bridesmaids were Miss Rita Salvage of England, Miss Helen Campbell of
Providence, Miss Sally Thacher of Manhattan, Miss Madeline Weed, Miss Amy
Talbot and Miss Sally Brigham, all of Flushing. George Salvage, brother of bridegroom, was best man. The bride was given in
marriage by her brother, L. Martin Richmond. The ushers were F. H. Richmond, Richmond Weed, Harry A. Wilmerdlng,
J. Holsworth Gordon, jr., Gordon Gordon and Alexander Sellers. After the
ceremony reception was held at the home of the bride's mother, Mrs. David
Richmond(Hoppin), at 252 Sanford avenue, Flushing. Over one hundred members of
Flushing society were in attendance. Mr. and Mrs. Salvage will reside in
Flushing after an extended wedding trip. The bride is the youngest daughter of
Mrs. Richmond. She made her debut in society several seasons ago. She is a
member of the Flushing Country Club and an expert tennis and golf player. She
is also identified with the society of Green Twigs(?). "Seeing Flushing today, as overbuilt as parts of it are, it’s hard to
believe that it was once a town of country clubs and gracious homes, a true
suburb." "The Flushing Country Club was not part of a specific suburban development,
but it played a large role in making the surrounding area desirable for suburban homes."
GLEN HEAD, L. I., Jan. 4—Lady Salvage, widow of Sir Samuel Agar Salvage,
former chairman of the board and president of the American Viscose
Corporation, died yesterday in her home on
Simonson Road. Her husband, who was sometimes called the father of the rayon industry in the
United States, died on July 10, 1946. He was knighted in 1942 by the British
Government for his work for the artificial silk industry. Lady Salvage, the former Mary Katherine Richmond, was born in Flushing,
Queens. She was for many years a leader in charitable work on the North Shore
of Long Island. A founder of the North Country Community Association, one of the older
philanthropic groups here, she was also a former director of the Glen Cove
Community Hospital and was active in visiting nurse service work. She belonged
to the Piping Rock, River and Colony Clubs.
She leaves 3 daughters, Mrs. John C. Wilmerding, Mrs. C. Champe Taliaferro
and Mrs. S. Reed Anthony; 12 grandchildren and 4 great‐grandchildren.
Seldom on View in Cafe Society Circles.
Seldom seen among cafe society, the Salvages mix only with the more
conservative elegantes on the North Shore, where they have a magnificent
estate, "Rynwood", in Glen Head. Most of the family’s brilliant festivities
have been held at "Rynwood". All three Salvage daughters – Katharine, Margaret and Magdelaine – made their
debuts at "Rynwood".
A grade A nuptial gathering saw Katherine Hoppin Salvage(1914-2003)
and Frank Lyon Polk Jr. married yesterday at Lattingtown, L. I. Here
are couple after ceremony. Daily News June 27, 1934
....."Mr. Polk was admitted to the bar in 1940 and joined the staff of his
father's law firm, Davis, Polk, Wardwell, Sunderland & Kiendl of 15 Broad
Street. With the exception of wartime service in the Navy, he remained with
that firm until his death(at 40), having become a partner in 1950"..... John C. Wilmerding Marries Mrs. Polk - Mrs. Wilmerding is the widow of Frank
Lyon Polk. Her husband, an alumnus of Yale, class of '34, was formerly married
to the late
Lila Vanderbilt Webb. New York Times April 29, 1962
John C. Wilmerding, 54, Dead; Bankers Trust Vice President. Before joining the bank Mr.
Wilmerding was product sales manager of the American Viscose
Corporation.
Margaret Smith Salvage(1915-2010) James Potter Polk(1914-1987)
The Polks, who seem to prefer Salvages and vice versa, were united by still
another bond yesterday with the marriage of Margaret Smith Salvage to James
Potter Polk. DAILY NEWS APRIL 10, 1937
Mr. and Mrs. Samuel Salvage are announcing today the engagement of their
youngest daughter. Magdelaine Richmond Salvage, to S. Reed Anthony, son of
Mrs. Colt Anthony of Providence, R. I., and the late Andrew Weeks Anthony of
Boston, Mass. Daily News November 9, 1939
Silas Reed Anthony graduated from Moses Brown School, Providence, R.
I., and Yale University, Class of 34. He was the grandson of Mrs.
Randolph Frothingham of Brookline, Mass., on his father's side; and
his maternal grandfather was U. S. Senator
Le Baron Bradford Colt
of Rhode Island. Mr. Anthony was associated with Spool Cotton Co. in
New York at the time of his marriage.
.
Add caption
Shortly after Sir Samuel’s death in 1946, Lady Salvage placed the manor
house on the market. In less than 24 hours, Miss Margaret Emerson appeared
at the forecourt entrance. She was the widow of socialite Alfred Gwynne
Vanderbilt and the daughter of the pharmacist, Isaac E. Emerson, who invented the headache remedy, Bromo Seltzer. She lived there intermittently until 1960.
Margaret Emerson McKim Vanderbilt Baker Amory (1884-1960)
According to Magdelaine Salvage, Miss Emerson inquired only about the
purchase price and the location of the “croakie-pitch court” (croquet court).
When informed there was no croquet court, she departed “without looking at the
pantry, the kitchen, even the swimming pool. My mother simply assumed we had
lost a prospective buyer until the next day when Miss Emerson’s attorney
arrived at “Rynwood” and negotiated its purchase. “A team of decorators appeared shortly thereafter,” she continued, “and they
worked on the home for nine months. Not once during that time did Miss Emerson ever make an appearance.
But a croquet court did”. The new owner ordered a hill on the southeast lawn leveled for that
purpose. Margaret Emerson was inducted into the
United States Croquet Hall of Fame in 1979.
The gates to "Cedar Knoll" Sands Point, N.Y.
In the 1920’s when all of Sands Point was available for the taking, Margaret
Emerson-Vanderbilt specifically tasked her architects and engineers to select
the optimal estate setting for her Sands Point, NY Gold Coast Mansion.
After careful consideration, they selected the property with the highest
elevation parallel to the New York City Skyline, 80 feet above sea level, all
the way to Manhasset Bay at Half Moon Beach. A guest cottage which stands to
this day was constructed at the base of the property, a 405 foot Deep Water
Dock and bulkhead was constructed.
"Cedar Knoll" Sands Point, N.Y.
TIME 1942 - "Margaret Emerson, mother of
Alfred Gwynne Vanderbilt Jr., was at the Saratoga races, fire broke out in her 24-room mansion at Sands
Point, L.I., reduced it to a topless shell." The reason she needed a new home and made the purchase of
"Rynwood".
The blaze, sweeping the structure from cellar to roof, reduced the
30-odd room mansion virtually to ashes, the servants' quarters,
chauffeur's and superintendent’s residences, being the only
parts reported saved. Palm Beach Post August 23, 1942
BRUCE MACKELVIE
DIED IN THE WATER
He Was Stricken With
Apoplexy While Bathing
Neil Bruce MacKelvie
of Hayden, Stone & Co. who represented the firm in New York, was
drowned Saturday evening while bathing with a party of his friends off the
shore of his estate in the Sound at Sands Point, Port
Washington. The Boston Globe - August 19, 1918
The reason "Cedar Knoll" became available. Mr. MacKelvie was only 39 and
left a wife and two children.
Margaret Emerson McKim Vanderbilt Baker Amory (1884-1960)
Mrs. Emerson was married four times. Her first husband was Dr. Smith
McKim. The marriage ended in divorce. The couple was given a home by
Margaret's father, "Quarry Hill" in Irvington along the Hudson. Unknown
location.
Margaret was on board her father’s
yacht Margaret
(named after her), traveling all over the world with Dr. Smith
Hollins McKim who acted as the family physician and surgeon. After
a whirlwind romance at sea, the two wed when they reached shore at
the end of December, 1902.
She then married Alfred Vanderbilt, who was lost aboard the liner
Lusitania when it was sunk by a German submarine off Ireland May 4, 1915.
Her third husband was Raymond T. Baker, director of the U.S. Mint, and her fourth was the Charles Amory of
Boston. Both of those marriages ended in divorce(habitual intemperance). Although entitled to a resumption of the Vanderbilt name, she declined
and was permitted to resume her maiden name.
From
Alfred Vanderbilts' will
- the widow receives $8,000,000 in the aggregate. Of this sum,
$2,000,000 is a bequest in compliance with an ante-nuptial agreement made
between them at London on December 15, 1911, and an additional $1,000,000
in cash. Further provision is made in a trust fund of $5,000,000,
the income from which the widow is to enjoy during her
life.
In addition to these bequests the widow receives Mr. Vanderbilt’s camp
known as Sagamore Lodge, comprising about 1,526 acres, his houseboat
Venture, and all his real and personal property in England, which includes
a leasehold on
Gloucester House, London.
After Vanderbilt’s death in 1915 on the Lusitania, his widow kept the Sagamore property until 1954 when it was deeded to
Syracuse University. It is now run by the Sagamore Institute, a non-profit
organization.
THE DINING ROOM at Sagamore could provide as many as 20 guests with
all the delicacies to which they were accustomed, plus the feeling
of "roughing it" in a camp. In the early years, until Alfred G,
Vanderbilt’s death aboard the Lusitania in 1915, parties of family
friends were brought to Sagamore by private railway car. LIFE Jan 2, 1950
PLAYROOM at Sagamore, located in a small house by itself, was half
trophy room, half amusement center for family in rainy weather.
Trophies include tusks (framing fireplace) from elephant shot in
Kenya by Alfred Gwynne Vanderbilt’s son George and stuffed
crocodile killed by Mrs. Margaret Emerson, Alfred’s second wife, on
expedition up the White Nile. Sagamore consisted of 1,500 acres, 41
separate buildings, including generating plant. For sunny days there
was a boathouse stocked with canoes and rowboats, and guides were
available for hiking, hunting or fishing. Mrs. Emerson still brings
guests to Sagamore every summer. LIFE Jan 2, 1950
A side stream known as
Hennerton Backwater
is one of the most picturesque on the Thames, and as it rejoins the main stream after a course of a mile and a half it has the advantage of
having an entrance at each end.
The main stream running parallel to this backwater is distinguished by a
long line of houseboats, which conspicuous among them is Mr. A, G.
Vanderbilt's “ Venture", perhaps the most luxurious houseboat in the world.
It was built by Messrs. Salter Bros., of Oxford, in 1909.
This craft is the most ornate and the biggest houseboat that has
ever been on the Thames. She is 120 feet long and over 20 feet
broad-so large, indeed, that she can only just get through a lock,
and when she was being taken to Henley the level of the water of the
river had to be lowered before she would pass under Twyford Bridge. As may be seen, she is splendidly equipped, and many flowers go
to her decoration. The Sketch July, 1909
When it was built the Venture cost Mr. Vanderbilt $19,563.76 in 1909 →
$551,592.69 in 2019.
IN THE MOST ORNATE HOUSEBOAT THAT HAS EVER BEEN ON THE THAMES, THE
SALOON - DECK OF MR. A. G. VANDERBILT’S “VENTURE".
It had a mahogany panelled saloon, a dining-room, smoking-room, four
bedrooms, and two bathrooms. It was moored between
Shiplake
and
Marsh Lock
and had a garden lawn extending for two and a half, acres, including tennis
courts.
IN THE GREAT HOUSEBOAT THAT BELONGS TO THE YOUNG AMERICAN
MILLIONAIRE, MR. A. G. VANDERBILT: A CORNER OF THE SALOON.
HOUSEBOAT FIRE PALATIAL CRAFT DESTROYED.
Fire destroyed the palatial houseboat Venture, moored at Shiplake, Henley
on-Thames, last month. The Venture, once the property of the late Mr. A. G.
Vanderbilt, the American millionaire, who was drowned in the Lusitania
belongs to a Mr. Thomas, of London, and has been called the most beautiful
houseboat on the Thames. The Mercury November, 1935
"The Wayfarer" -- Alfred G. Vanderbilt's yacht, anchored in the
fine harbor at Southport, N.C.
Fort Caswell
in the distance.
Stone entrance to Kamp Kill Kare on Lake Kora. "Once a private
playground for the Vanderbilts, Lake Kora invites your family and
friends to experience this extraordinary property as a Great Camp of
your own for a rejuvenating few days, a week, or a month at a time.
A full staffed and all-inclusive rustic paradise."
https://www.lakekora.com/
In Alfred's will to Margaret was also Kamp Kill Kare. Alfred purchased
Lieutenant Governor
Timothy L. Woodruff
holdings to protect who would be his neighbor at Camp Sagamore. New
York assistant district attorney
Francis Garvan
purchased the property from Vanderbilt. The will was not amended to reflect
the change.
"Wayfarer" -- Alfred G. Vanderbilt's private rail car.
I find nothing in the 1913 will pertaining to the Vanderbilt Hotel. The family sold the property in
1925.After Alfred’s death Margaret gave up the family hotel suite, which was
taken over briefly by the newly organized Women’s City Club. Soon afterward,
it was occupied by operatic tenor Enrico Caruso.
MRS. A. G. VANDERBILT LEASES PINCHOT HOUSE NEW YORK TRIBUNE SEPTEMBER 11, 1915 New City Home at East 85th St. Formerly Occupied by Astor Mrs. Alfred Gwynne Vanderbilt has leased as her city home the
residence of
Amos R. E. Pinchot, at the north-east corner of East Eight-fifth Street and Park Avenue.
The premises were occupied last year by Vincent Astor. Worthington
Whitehouse, Inc., negotiated the new lease. Since the death of her husband in the Lusitania disaster Mrs. Vanderbilt
has been living at Lenox, Mass.
The Pinchot house was built a few years ago. It is four stories and
occupies a site with a frontage of 42.2 feet on the avenue and of 82.3 feet
on the street. The rental is about $25,000 a year($635,000 - 2019). The
Vanderbilts formerly occupied a suite of rooms on the eighteenth floor of
the Vanderbilt Hotel, of which Mr. Vanderbilt was the sole owner. The widowed Mrs. Vanderbilt had begun coming to Lenox with her two little
boys, renting first
Shadowbrook
and then Ventfort Hall. She would have been familiar with Lenox as a visitor to her husband’s
cousin (Emily Vanderbilt Sloane
–
Elm Court) as well as other society cottagers. Mrs. Sloane’s daughter
(Lila Vanderbilt Sloane Field) was a good friend would become a neighbor having built
High Lawn
in 1909.
The landscape of Erskine Park was graced with lagoons, marble
bridges and crushed marble roads. The splendid serpentine front
driveway was lined with majestic pines.
In 1916 she bought for $250,000 a portion of Erskine Park, a huge estate developed by George Westinghousewith a deed stipulating the removal of the old Victorian mansion.
Neighboring
High Lawn Farm
and
The Mount the property had driveways in both the towns of Lee and
Lenox.
Mrs. Vanderbilt hired New York architects Delano and Aldrich to design her
a Colonial Revival house with two story porticos overlooking the lawns and
lagoons on one side and Laurel Lake on the other.
Memorial to Alfred Gwynne Vanderbilt A memorial on the
A24 London to Worthing Road in Holmwood, just south of Dorking. The
inscription reads, "In Memory of Alfred Gwynne Vanderbilt a gallant
gentleman and a fine sportsman who perished in the Lusitania May 7th
1915. This stone is erected on his favourite road by a few of his
British coaching friends and admirers". The memorial carries an
image of a horse's bit.
She sentimentally called the place Holmwood after a beloved spot in Surrey
she and her husband Alfred had frequented early in their marriage. Within
days of moving into her new house, Margaret Vanderbilt married again -- the Raymond T. Baker, director of the U.S. Mint.
She built a $100,000 addition to the house and in 1920 built a $75,000
concrete stable which housed her many horses, 32 carriages and sleighs and a
Viking coach which her husband used in England before his death.
In 1939, it was purchased by the Foxhollow School for girls. In 1942
the school also bought The Mount next door. The school closed in 1976 and
the property became a condominium complex and resort. The plan is to turn the 25,000 square-foot mansion into 11 high-end
rentals.
A daughter, Gloria, was born to this marriage, which ended in divorce in
January, 1928. In October, 1928, Mrs Baker was married to Charles Minot
Amory of Boston. This marriage ended in divorce in 1934, when she legally resumed her maiden name.
Gloria Baker, Alfred Gwynne Vanderbilt, and Margaret Emerson
Gloria Baker was one of the nation's most popular and richest women when
she made her 1938 society debut in a $50,000 dress. Gloria, who one
newspaper cited as having "more suitors than her mother had husbands,"
married first tin heir Henry J. Topping, Jr., then Brigadier General Edward
H. Alexander.
"Chez Sagamore" Owned by Margaret and her fourth husband,
Charles Minot Amory. The house, a gift from her father, located at
240 Banyan Road, has since been demolished and the land subdivided.
The house to the left is the
Villa "Leoncini", located at 235 Banyan Road and designed by Howard
Major. Amory formerly was married to Gladys M. Munn, who became
the wife of Herbert Pulitzer.
Her other large inherited property was Arcadia, Isaac Emerson's
antebellum rice plantation in Georgetown, South Carolina. He named
his estate Arcadia in reference to the idyllic pastoral utopia of Greek
mythology. Eventually, Margaret’s son George Vanderbilt III inherited part of the Vanderbilt and Emerson fortunes and all of
the South Carolina plantation properties that Dr. Emerson had owned.
George married Louise Parsons, and they had one daughter,Lucille.
Established in 1925, it was owned by Isaac Edward Emerson who assembled the
property as a gift for his daughter. After his death and on his
instructions, Margaret passed it to her son
Alfred G. Vanderbilt, Jr.
on his twenty-first birthday.
After his life was cut short when the Lusitania was torpedoed in 1915, Oakland Farm was left in trust to his eldest son, William Vanderbilt III, who took ownership on reaching majority in 1922. He lived here permanently up until the end of World War II. By the end of the 1940s, he sold the house and farm and developed the land for housing.
4607 Kahala Avenue, Honolulu THE HOUSE, decorated by
Robert Ansteth. Ltd., of Honolulu and designed by
Vladimir Ossipoff, effectively combines modern with Chinese and Hawaiian. There
are outdoor living areas including an intimate court with
hau
arbor for informal parties.
She maintained a residence at 4607 Kahala Avenue(demolished) for several years before she sold the property to
NEW KAHALA RESIDENTS—Henry J. Kaiser, West Coast industrialist, and
Mrs. Kaiser smile happily in the entranceway of the Hawaiian styled
home they have purchased in Kahala. It is the beach home of Mrs.
Margaret Baker Emerson at 4607 Kahala Avenue. The Kaisers, who have
been guests at the Royal Hawaiian Hotel, leave tonight for their
Lafayette, California, home. They plan to return in a month or so to take over occupancy of
their newly acquired Island residence. Honolulu Star-Bulletin February 25, 1954
Margaret moved into a new home down the beach at 4663 Kahala
Avenue(demolished). Cost then was $27,906.50($515,107.81 - 2019). Plans
for the building were prepared by
C. W. Dickey.
1020 Fifth Avenue New York City
Margaret Emerson died in 1960 at her Fifth Avenue home not far from where
she received the news of the Lusitania. She was then known as Mrs. Emerson
and her funeral was held at St. Patrick's Cathedral.
The building’s architects, Warren & Wetmore, designed 6 of its
13 apartments with “rooms of noble proportions,” as the 1925 sales
brochure stated.
I don't know what floor Margaret owned at the time of her death. Below
are some photos showing the opulence offered for tenants.
Even though Brenda’s debut party was far more publicized, Mimi’s was far more costly and elaborate. It was given at her mother's country home at Sands Point, L.I. The outdoor swimming pool was roofed over to make an al fresco dance floor. There was a river of champagne. The orchestra played straight through the night until broad daylight. And Mimi’s dress came from Paris. More than 1,000 guests, representing most of the gilt-edge social names, were there.
New York society wonders as it follows the doings of beautiful
Gloria Baker, rich Vanderbilt relative and daughter of Mrs.
Margaret Emerson, and Howard Hughes, multi-millionaire aviator
and movie producer. Here you see them together at Palm Beach,
Fla., and now the wires tell of their meeting again at Palm
Springs, Cal. The St. Louis Star and Times • 05 Feb 1936
recently divorced; Bruce Cabot, movie actor; Sir Robert Throckmorton; Bobbie Parks, orchestra leader and Howard Hughes, the aviating film magnate.
Henry J. (Bob) Topping and Miss Gloria Baker
GLAMOROU$.
Gloria Baker, who will marry Monday a freshly divorced
multi-millionaire playboy was a debutante of last season but she is
rated a topnotch “glamour girl.”
What is this thing called “glamour?”
Gloria Baker's mother's first husband was Alfred G. Vanderbilt.
Gloria Baker’s mother's father was Isaac Emerson, founder of the
Bromo Seltzer fortune.
Gloria Baker’s half brothers are Alfred G. Vanderbilt, Jr., and
George Vanderbilt, young multi-millionaire sportsmen.
Gloria Baker's father was Director of the U. S. Mint.
Gloria Baker Topping, Henry J. Topping, Brenda Frazier Kelly and John S. (Shipwreck) Kelly at Stork Club. Gloria has signified intention of obtaining divorce from Topping.
Daily News (New York, New York) • 11 Apr 1943 GLAMOURED GLORIA OF HEADACHE CASH WILL SUE TOPPING
He wouldn't answer her letters. He wouldn't come to the phone when she called him long distance. He tried to avoid a meeting when she traveled 900 miles to see him.
Before their marriage in 1938 Topping did everything but handsprings to keep Gloria from marrying John (Shipwreck) Kelly, now the happy husband of another glamour girl, the former Brenda Frazier.
Shipwreck, then a bachelor, was top man in Gloria's life in 1937 when her mother, the four-times wed Margaret Emerson McKin Vanderbilt Baker Amory, took her on a world cruise. Topping took passage on the same ship. Gloria forgot Shipwreck and married Topping in 1938.
It was said to be an excellent match with “money marrying money.” Actually, Topping “married” more money than Gloria did. His share in his grandfather’s tinplate fortune is not huge. Her inheritance in the headache remedy fortune of her grandfather, Isaac Emerson, is bound to be tremendous.
The Miami Herald • 14 Jan 1953 Topping Marries Again
TIN PLATE HEIR Bob Topping, one of Actress Lana Turner’s ex-husbands, married ski Instructor Mona Moedl in Salt Lake City.
News of the wedding was telephoned to Topping's actor-friend, James Cross, who made the announcement in Hollywood.
This was the second marriage for the bride, who is Topping’s fifth wife. In addition to Miss Turner he formerly was married to Mimi Baker and Arline Judge.
Jayne shadduck Topping Durant
Toppings first wife was Actress Jayne Shadduck, one of the first female pilots in the United States, Jayne flew a six-passenger plane from Detroit to New York in 1937, for which she was featured in Life magazine. It was reported that she received $500,000 in an out of court settlement to end the marriage so Henry could marry Mimi.
Gloria Baker Topping Weds Brig. Gen. Alexander of AAF West Palm Beach, Fla., April 28, 1944(AP)—Gloria Baker Topping, 24, first of the society glamor girls, was married to a 42-year-old brigadier general of the Army Air Forces today in a surprise ceremony at the Morrison Field post chapel.
The Miami Herald • 21 Apr 1956 • AF General Buys Island Showplace
Brig. Gen. Edward H. Alexander on terminal leave as deputy commander of the 18th Air Force, paid about $115,000 for the home, according to stamps on the deed.
One of the showplaces on New River, it was purchased from the French shipping magnate and importer Horace E. Vernet. The home contains 12 rooms on the first floor, including maids’ quarters; six bedrooms, a dressing room and three baths on the second floor and three bedrooms and two baths over the garage.
There is a large porch on the first floor and an enclosed porch on the second floor. The home is on about two acres of land.
General Alexander and his wife are on their way here from his headquarters at Langley Field Air Base in one of their two yachts. Since the purchase, the Alexanders have had the interior remodelled by the Venice Con-
struction Co. at a cost estimated at more than $10,000.
General Alexander commanded the Air Force "Hump” operation during the war, ferrying supplies from India over the Himalayas to China. He’s retiring at the age of 53.
His wife was a noted society beauty who married and is divorced from "Bob" Topping. The home, at 73o Isle of Palms, was built in 1940.
LANDMARK PURCHASED—Long familiar to New river sightseers is this
island home. Situated at 730 Isle of Palms, the home faces the
river and the Intracoastal waterway. The dwelling contains five
bedrooms in addition to servant's quarters and was sold by Mr. and
Mrs. Richard Reed to Horace Vernet, Greenwich, Conn.
$30,000 Home Slated On Lauderdale Island
<Special to Miami Daily News>
FORT LAUDERDALE. Jan. 18,1941 — DR. Richard Reed has awarded a contract at $30,000 for erection of a dwelling at 730 of Palms, C. B. Schoeppl is architect.
AT THE TIP of the Isle of Palms is the home of Horace E. Vernet.
an importer with other homes in Greenwich, Conn., Brittany in
France and near Geneva in Switzerland. Built in 1939 it has been
owned by Vernet for three years. His niece, Elizabeth du Fretay,
visiting here from France last year, won the title of Miss Fort
Lauaerdale. The Miami Herald 07 Mar 1954
1953 Florida Miss Fort Lauderdale Elizabeth Du Fretay
Iron grill work over the patio. library and entrance doors and windows accents the Mediterranean aura of the pink and white stucco exterior.
One of the home’s more prominent features is a stark entrance foyer accented by a plain, but graceful, spiral staircase.
The stately Horace Vernet home at the end of Isle of Palms has taken on a
new look within .... decorators have transformed the interior into a “not too southern and not too
northern” decor, under the supervision of new owner, Mrs. Edward H.
Alexander, the former Glorla Baker Topping, much publicized New York
debutante of the thirties.
FORMER PALM BEACH colonist, Mrs Edward Alexander and her family have joined the ranks of full-time Lauderdoleons. She's pictured in her island home, chosen for its easy access to ocean.
The attractive, soft spoken Gloria who has been following her husband, Air Force Brig. Gen. Alexander around, says all they want to do now is
relax in their new residence. Except for sea jaunts on one of their two
boats, they intend to remain at home, Gloria laughed. Gen Alexander is in
Washington, D. C. this week going over final papers for his
retirement. "We've been fishing all day" Gloria remarked. She had just been admiring
a "huge" lumberjack son, Tony, landed from their backyard dock. Tony arrived recently from Admiral Farragnft School in St. Petersburg,
but her daughter, Sandra won't be down until mid-June.
MISS SANDRA TOPPING
When she leaves Mt Vernon Seminary in Washington, Sandra will go to Long
Island or a visit with Gloria's mother, Mrs. Margaret Emerson, and to see
her cousin, Lulu Vanderbilt make her debut. Incidentally, don't confuse Gloria Alexander with Gloria Vanderbilt. . .
This is often done, she laughs, since her two half-brothers are George and
Alfred Vanderbilt. The Alexanders are welcome additions to the Ft. Lauderdale colony . . . we can be proud to claim them . . . Gloria chose this city over Palm Beach
where she used to spend much of her time when married to Bob
Topping.
Gloria Baker Taylor, a society figure, died yesterday in Fort Lauderdale,
Fla., where she lived. Her age was 54.
Mrs. Taylor, known to her friends as Mimi, was the wife of Sidney Taylor, a
bookseller. She had previously been married to Brig. Gen. Edward H.
Alexander, who commanded the Air Transport Caribbean and India‐China Wings
in World War II, and earlier to Henry J. (Bob) Topping.
Surviving are a son, Henry J. Topping Jr.; a daughter, Mrs. Sandra Topping
Sack, both of New York; a half-brother, Alfred Gwynne Vanderbilt, and four
grandchildren.
Isaac E. Emerson was born in Chatham County, N.C., in 1859. His family moved to Chapel Hill in 1868. Emerson was graduated from the University of North Carolina as a chemist in 1879. He worked out and patented the formula for Bromo-Seltzer, a headache remedy, upon which Emerson's immense wealth was based. Emerson organized the Emerson Drug Company; built the Emerson Hotel; was president of the Citro Chemical Works of America, Maywood N.J.; chair of the American Bromine Company; and controlling owner of the Maryland Glass Corporation. During the Spanish-American War, he led his own naval force, earning the rank of captain.
Captain Isaac Emerson Mansion at 2500 Eutaw Place, Baltimore,
MD
Margaret's' childhood home in Baltimore, MD.
The home was opened originally with a concert-dinner, at which the late Mme. Nordica was soloist(first American Diva). To the north of the building Captain Emerson laid out an Italian garden, containing many marble and bronze pieces of statuary.
One House At A Time, Inc. Receiver's Auctions, June 9, 2016. Sold price $460.000.
Originally built in 1895 the home was lived in by Captain Emerson and
his family until 1911 — at which time, he divorced his wife after 30
years. Two months later, he remarried and built the Emersonian, a
large apartment building that could possibly be the “mother of all spite
houses“, as it blocked his ex-wife’s view of Druid Lake. He and
his new wife lived in the top floors of the building so that he could
always look down on his ex-wife.
Emersonian Apartment 2502 Eutaw Pl, Baltimore,
MD
In 1940, the City Directory listed as Emersonian residents the great
merchant-manufacturing princes of Baltimore: Hecht, Strouse, Bendann,
Schoeneman, Bernheimer, Straus, Katz, Wiesenfeld, Lebow and
Hochschild.
The apartment had a great hall 31-by-29-feet with
Greek-inspired columns and a 12 1/2-foot ceiling with the
Seal of Baltimore painted on it.
One of the few floors exempted from renovation work done by
Rozimam Development Inc.. The rest of the Emersonian was stripped to make way for
modern apartments.
Other appointments included a carved marble mantel and wood paneling in
the living room, ceilings with Greek key-designed plaster work, a huge
kitchen with pink Vermont marble sinks with a large enclosed porch, and
balconies with views of the Druid Lake Park in Reservoir Hill.
Fireplace in Dining Room.
The Mansion in the Sky
had been empty for more than a decade. It was used several years ago for
a scene in the movie "Homicide"
starring Joe Mantegna.
Capt. Emereson built a hotel in town that did really well. The hotel need a supply of fresh milk and so he started a dairy farm, and that is where Brooklandwood came in.
Gates today.
Garden side.
Bromo Seltzer earned him a chunk-o-change and a bunch
of other things worked well for him too. He needed lots of blue glass to sell his
Bromo Seltzer in and so started a glass factory that soon was making lots of money, invented
fizzies, those fruit flavored tablets kids love to drop into water to watch them bubble
and sometimes even to drink,
Back view of the mansion.
Originally built by
Charles Carroll of Carrollton
as a home for one of his daughters. Charles Carroll was one of the
signers of the Declaration of Independence. The original house was built
around 1798, the two wings being added later.
As you can see there is a line of carriages waiting to let the
guests off after nearly a mile ride up from the from the front
gates. The rear gates were actually just a stones throw from the
Big House, but decent folk never came in that way.
When Emerson owned "Brooklandwood" it was not only a farm but also a
place of entertainment. Emerson added a golf course, swimming pool, tennis
courts, and a creamery onto the mansion. He hosted parties and other
events at "Brooklandwood" for which people came from miles away to
attend.
Outside view of stables.
Paddock area. Now classrooms.
In 1952, the Brooklandwood manor house was sold to St. Paul's school.
Rear gates.
Entrance into St. Paul's School.
Brooklandwood Farms was a place for motorists to visit in the
1920's and 30’s, when his dairy herd of pure-bred cattle
provided the raw material for a retail milk and ice cream outlet
on the premises. In the break-up of the property, the Emerson
barn served many years as a summer theatre, The Hilltop.
In 1977 the Montessori Society of Central Maryland purchases the
Emerson Farm Dairy buildings and seven acres of property with plans to
renovate and build an educational facility. https://greenspringmontessori.org/
In 1963 the Emerson gained a notoriety when a drunk white Charles County tobacco farmer named William Zantzinger berated, then struck, black hotel waitress Hattie Carroll with his cane, causing her death. The incident and the trial surrounding it became notorious not only for the accounts of Zantzinger’s boorish and racist behavior but for the mere six-month sentence he received after being convicted of the crime of manslaughter. The light sentence prompted Bob Dylan to immortalize Carroll’s death in one of his most powerful songs supporting civil rights, “The Lonesome Death of Hattie Carroll”.
In its later years, the Emerson was known for its “Hawaiian Room,” a seemingly immersive tiki bar. A lot of ephemera has been collected on this facebook page.
A little more than a year after the Captains wedding on August 22, 1912, Emilie married Charles Basshor, who at age 45 was 11 years younger than his bride. A few close friends attended the ceremony at the St. Johns
German Evangelical Lutheran Church in Jersey City, New Jersey. Margaret, “due to a temporary indisposition,” could not leave England to attend her mothers wedding. The couple took a European honeymoon before taking up residence at the Eutaw Place mansion. Their union did not sit well with Isaac. Immediately after hearing the news, he asked Baltimore's Circuit Court to relieve him of paying alimony to his ex. He did not think he should have to support another mans wife, particularly one whom he thought “was abundantly able to provide for her.” The Court turned him down. Undaunted, he took his case to the Court of Appeals, where he met a similar fate. Emilie continued to receive her alimony.
In November, the newlywed couple moved from Eutaw Place in Baltimore to Algonquin Manor, an estate on the Choptank River two miles from Cambridge, Maryland. Named for the Indian tribe, the estate had been the former summer home of the late U.S. Democratic Senator from Maryland, Isidor Rayner. Described by the Baltimore Sun “as one of the show places on the Eastern Shore,” the three-story, 17-room house sat on
135 acres that sloped gently down to the Choptank River, affording the occupants a water view that stretched for 12 miles. Original growth shade trees dotted the lawn. Life in the country and the dairy farm they created there agreed with the former Baltimore residents so much that Emilie sold her Eutaw Place house in May of 1913.
Basshor died from blood poisoning caused by an accidental(?) bullet wound to the head in 1914 at the manor. Soon after Emilie sold the property and purchased a residence/hotel near the Boardwalk in Atlantic City where she died in 1921.
Capt. Emerson repurchased the Eutaw Place house in 1923 to protect his real estate holdings. At the time the house was the location of the Amity Club, the in-town social club of affluent Eastern European Jews and forerunner of the Woodholme Country Club.
In 1960 "Rynwood" was sold to F. W. I. Lundy of
Lundy’s Restaurant
in Sheepshead Bay, Brooklyn. Lundy, who died in 1977 at the age of 82,
never lived in "Rynwood"; it was one of 70 properties that he
owned.
The home remained empty and neglected and allowed to fall prey to the
elements.
Add caption
In 1979 Mansions & Millionaires show planners negotiated with the
Lundy family for use of Rynwood. The “trusted servant" of Lundy was a source of information for heating
units, electrical wiring, and needed repairs, until one day he failed to
appear. He had been indicted for allegedly appropriating Lundy
assets.
Lundy directed Ciro Autorino to load several lobster crates with cash and
valuables from the Lundy apartment. Lundy instructed Autorino to transfer the lobster crates to a vault(the size of a suburban living room) in a mansion that Lundy owned in Brookville, Long Island. It was one of several properties Lundy bought,
furnished and had maintained by caretakers — but never visited. A week after the goods were transferred, $500,000 in cash was stolen from
the Brookville vault. Lundy apparently never suspected that Autorino had anything to do with the
theft, because the manservant remained with the millionaire until Lundy died on Sept 6, 1977. Indeed,
in the last 14 months of his life, when Lundy was confined to a wheelchair, he became almost totally
dependent on Autorino. During that last year of the eccentric recluse’s life, the servant, with
the aid of several accomplices, took his boss for $11 million.
Designers' Showcase 79 created the ambiance in the original
Study.
The theme “Art in Design” was highlighted when artist-designer Gloria
Vanderbilt was honored with the North Shore Community Arts Center
Award.
The Spanish Colonial Revival building was designated a city landmark in
1992. It’s probably New York City’s sole surviving pre-World War II
restaurant building with that architectural style, according to the
Landmarks Preservation Commission’s designation report about the
property. It was constructed in 1934 in conjunction with the government-sponsored
redevelopment of the Sheepshead Bay waterfront in the mid-1930's. On special occasions, like Mother’s Day, it drew 15,000 customers; on a
typical Sunday it served about 10,000 and on a typical weekday
2,000. Click on THIS LINK for an inside look of the abandoned restaurant. Recommend links for more on Lundys - Lundys of Sheepshead Bay by Kingsborough Community College
A 60-acre private lake, an estate complex with a 5,400 square-foot home,
extensive landscaped grounds that connect to a boathouse and dock, icehouse,
dairy and poultry barns. The house, known as Lyons Lodge, has a stone
farmhouse at its center with French provincial additions of grand
proportions. There are six bedrooms, four bathrooms, three fireplaces and a
vaulted-ceiling living room with wood floors.
Lundy Farm "Lundy Farm is committed to small-scale organic agriculture
and supports farm practices that propagate responsible stewardship
of our land and resources."
Lundy bought the original farm in the 1920s. He acquired more land from
farmers during the Depression and regularly spent weekends there. The
property was part of the $11 million swindle. When the heirs found out the
deed was in someone else's name it started the investigation that
implicated Ciro Autorino and others. They were told a swap was made of $20 million in art for the 5400 acre
estate. It turned out the valve was only $5,000. The heirs ended up buying
back the property for $300,000 to avoid a court battle. His estate sold it to Litas International, Inc. in 1981. After Litas filed
for bankruptcy in 1994, a liquidating trust was created to dispose of assets
to pay creditors. The bulk of the Lundy property is now part of the
Sundown Wild Forest Preserve.
"Rynwood" became the corporate headquarters of Banfi Vintners, a wine importing concern, and is known as Villa Banfi. The
company purchased the mansion in 1979 for $1.25 million and put four million
dollars into restoration. In August 2019 the company put
the property on the market
for an asking price of $23 million.
BOOK-PLATE OF ELLEN BIDDLE SHIPMAN Drawn by Maxfield
Parish.
