"The appropriation for a house should be divided into two equal parts, one-half for the house, the other for the gardens, pathways, court, approach, terrace and the rest of it, or, as it might be termed, one-half for the pudding, the other for the sauce." Architect Thomas Hastings
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| THE GOLDEN BOUNTY OF SPRING PAINTING BY J. FLOYD YEWELL |
Spring ushers in a glorious pageant of color at "Welwyn", the Harold Irving Pratt estate on Long Island.
From March, when the earliest blossoms show their heads, until November’s frost cuts them down, there are always flowers blooming in one of the many gardens on the estate.
The artist here portrays for us a view of the West Garden in its gay and colorful spring dress.
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| Living room in the residence of William Lawrence Bottomley, Esq., Brookville, LI. |
The vivid greens and blues of the scenic wallpaper in this room call for strength and intensity in its color scheme in order to have its color values harmonize. Accordingly the curtains are a gay yellow chintz flowered in old pink, the furniture repeats the yellow note, and the Spanish rug done in squares with the signs of the zodiac, adds another touch of strong color and bold design.
Follow THIS LINK for more on "HICKORY HILL" THE SUMMER HOME OF ARCHITECT WILLIAM LAWRENCE BOTTOMLEY.
Although situated at Mill Neck, Long Island, this picturesque little farm group on the estate of Arthur V. Davis, Esq., might well be somewhere in Italy. The warm biscuit-colored stucco walls with the red tiles of the roofs and the blue trim of doors and windows make a charmingly colorful picture to which the black and white reproductions of the camera do scant justice.
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| Arthur Vining Davis Farm Group Mill Neck, New York Guy Lowell, Architect |
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| Arthur Vining Davis Farm Group Mill Neck, New York Guy Lowell, Architect |
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| Arthur Vining Davis Farm Group Mill Neck, New York Guy Lowell, Architect |
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| Arthur Vining Davis Farm Group Mill Neck, New York Guy Lowell, Architect |
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| CHARLES OF LONDON, Decorators WALKER & GILLETTE, ARCHITECTS PHOTOGRAPH BY M. E. HEWITT |
Tudor magnificence tinctured with modern comfort achieved without impairing the verities in this noble room, the gallery in the William R. Coe residence at Oyster Bay, Long Island. Above the great Gothic fireplace, with a fire screen by Yellin, a rare tapestry spreads its color, while down the length of the gallery stretches a priceless thirty-three-foot Isfahan rug. The predominating color tone here is a warm red.
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| Samuel H. Gottscho, Photographer |
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| 278 Old Lake St, West Harrison, NY 10604 |
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| 1919 | Dartmouth Alumni Magazine | June 1947 |
A BREATH OF THE RIVIERA
The Estate of Walter P. Chrysler, Esq., at Great Neck, brings a Touch of the Enchanting Mediterranean to Long Island.
CHARLES WELLFORD LEAVITT & SON, Landscape Engineers
LONG ISLAND, within easy motoring distance of the great metropolis, affords many beautiful natural settings for residences. There are only a few places upon which Nature has bestowed her charms more lavishly than upon this island. Estate owners, with a longing for the invigorating salty tang of sea breezes, have built their homes close to the island’s many bays and inlets. Both shores of Long Island are dotted with beautiful estates, but the north shore, on the sound, is particularly desirable for the location of estates.
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| The reception court, with house and mall. The rhododendrons around the court have a rich background of large trees, stately, maple and oak. |
We motor east along the north shore of the island and arrive at Great Neck, situated on the sound. Here we see several estates that appear very inviting, but we continue along Steamboat road. On the left, we notice an estate that is heavily wooded, giving an impression of austerity. The entrance is very imposing, being constructed of white marble and having a very distinctive setting with a thickly wooded area as a background. As we proceed along the entrance road we pass through a woodland, where rhododendrons, laurel, leucothoe, and other broad-leaf evergreens on both sides are planted so thickly that a hedge-like appearance is the result. When the rhododendrons are in blossom the entrance drive is so magnificent that mere words cannot do justice to the inspiring sight.
This is our introduction to the estate of Mr. Walter P. Chrysler.
The entrance road winds through the woods and we arrive at the reception court. Here we gain our first glimpse of the house which is of the early Italian Renaissance style. As we approach the house we notice that on all sides of the court the planting is similar to that which lines the entrance drive. The reception court, east of the house, includes a mall. When approaching the house, we are impressed by its architecture, which is adorned by a carefully worked our planting scheme composed of rhododendrons and native trees. The planting not only eases the building, but establishes a pleasing union between the house and the native woods—of oaks, tulips, maples, and ash—on the sides of the reception court. From the porte-cochere we obtain a vista across the mall.
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| From the terrace there is a splendid view of broad lawn, sloping gently to the sea wall and the waters that reach to Connecticut's shores in the distance. |
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| Glorious hydrangeas bank the upper house terrace, with its broad rectangular panels dominating the pavement design. |
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| The lower terrace, showing the balustrade around the upper terrace. The grass panel has a bird-bath in its center; the steps beyond lead down to the tennis court. |
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| Shore view of the Chrysler estate, showing the paved terrace at the sea and the steps leading down to the beach. |
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| Along the sea wall. Here is the rocky beach, the steps, and the pier jetting out into the water that present a picture so representative of the Mediterranean playgrounds. |
Let us walk down across the lawn in order that we may see this extraordinary feature. From the house we saw the pergolas, the paved terrace and steps leading down to the beach. The beauty of the shore line treatment becomes more apparent as we approach it. Looking from the paved terrace over the steps out across the water, we see in the distance the shore line of Connecticut, but the view is one that suggests a scene in southern Europe. From the bath house the pier jets out into the placid water. Walking up a series of ramps to the pergola on the north, which is built on the roof of the bath house, we have an ideal vantage point where we can enjoy the salt breezes and from which we watch the passing ships, both sail and steam propelled. From the pergola, there are steps descending to the pier. We walk out to the end of the pier and look back to the shore. That feeling we had of being on the sunny shores of the Mediterranean is accentuated by this view. Here we see the sea wall which is an unusual feature. It has been carefully studied and planned, and is an integral part of the design. Nowhere on Long Island has the treatment of the beach been accomplished in such an interesting manner. As we retrace our steps and walk south along the sea wall we approach the pergola on the south end. From here a path winds along the edge of the woods back to the house.
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| Another view of the sea wall. Note the bathhouse pergola on its roof; also broad steps leading down from the lawn to the beach. |
Passing through a pleached alley we reach the greenhouses. In front of the greenhouse there are cut flower beds; beyond these beds is the vegetable garden. The two gardens are separated by a path which leads to the superintendent's cottage. From the cottage the macadam road winds through the orchard to the forecourt. On the right we have a glimpse of the grape arbor, but our view is terminated by a heavily planted screen. At the forecourt a road winds to the garage which is accessible to the entrance road, being served by a road about a hundred feet from the entrance gates.
From the entrance drive, there is a walk through the woods which is composed wholly of native trees - oaks, tulips, maples, and gums. Passing through this sylvan glade, we cross the service road which leads to the house. In the center of the service court there is the laundry yard which is enclosed by a vine covered trellis. The service road is lined on both sides by tall screen planting of honeysuckle, dogwood, witch-hazel, spirea and viburnum.
We walk across the service road to the tennis court which is in back of the screen planting. A path around the south end of the court leads to the summer house, which is on the west side of the court. On the north end of the court there is a path through the woods. We pass through the summer house into the maze of hardy perennials and annuals. After winding in and out we finally arrive at the north walk. Here again we may choose our path, one to the beach or one to the house.
As we have seen the beach, we return to the house; walking up the steps and terrace we arrive at the place from where we started. We pause and look over the lawn. From here we notice that a number of vistas have been made through the border planting, and we catch glimpses of the sparkling water of the sound.
Although the estate is heavily wooded and there is a dense wooded screen surrounding it, we have no feeling of being caged in. Instead, there is an atmosphere of freedom that only the combination of the sea and woods can impart. The design has been carefully worked out, much thought has been given to every detail, and the result is a uniform scheme which gives a very satisfactory result.
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| Living room in the apartment of Archibald Brown, Esq., in River House, New York PAINTING BY J. FLOYD YEWELL |
While actually in the city, this charming living room in the apartment of Archibald Brown, Esq., in River House, New York, has all the atmosphere of the country. The bay window overlooks the river, where the yachts swing at anchor, while the doorway gives out onto a terraced garden. Decorated in the modem manner, it reveals the architectural skills of its owner, who is a member of the well-known firm of Peabody, Wilson & Brown, architects.
Archibald Brown's wife Eleanor was the founder of the decorating firm, McMillen Inc.
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| House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Nassau County 1939 Long Island Dolph & Stewart |
The adaptability of Georgian design to present-day needs is well illustrated in this lovely house of whitened brick. All the Georgian elements, including the use of delicate ironwork for balconies and railings, are beautifully incorporated. CLIA, 1927
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| First Floor Plan, House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Second Floor Plan, House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Detail, House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Detail, House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Porch, House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Servants' Quarters, House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| The house burned in 1967. Source of clipping. |
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| From Living Room Looking Down Corridor House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Stair Hall House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| A CORNER OF THE LIBRARY House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Dining Room House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Details of Wrought-Iron Nursery Balcony House of Mr. Charles Pratt, Glen Cove, Long Island Peabody, Wilson & Brown, New York, Architects |
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| Entrance Porch Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
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| View from East Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
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| View from South Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
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| SOUTHWEST FRONT Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
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| View from West Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
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| FIRST FLOOR PLAN Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
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| SECOND FLOOR PLAN Residence or Charles B. Hayward Great Neck, Long Island, New York Frank J. Forester, Architect |
Mr. WALTMAN who has been known for his portraits and winter landscape, showed for the first time last winter(1923) at the Howard Young Galleries New York, a series of paintings of well-known gardens, Three of which are shown here.
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| Circular colonnade gardens of Mr. Samuel Untermyer, Greystone, Yonkers, N.Y. From the painting by Harry F. Waltman, A.N.A. |
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| Edge of the swimming pool, garden of Mr. Samuel Untermyer, Greystone, Yonkers, N. Y. From the painting by Harry F. Waltman, A.N.A. |
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| Lower terrace garden of Mr. Samuel Untermyer, Greystone, Yonkers, N. Y. From the painting by Harry F. Waltman, A.N.A. |
