Sunday, August 20, 2023

THE FLAVOR OF THE SEA • • • REFLECTED IN THE DESIGN OF A BOATHOUSE ON LONG ISLAND

John Hay Whitney
Artist: Deane Keller
 
Yale University Art Gallery


BOATHOUSE OF JOHN HAY WHITNEY. MANHASSET, LONG ISLAND, N. Y.
LA FARGE, WARREN & CLARK. ARCHITECTS; A. F. BR1NCKERHOFF, LANDSCAPE ARCHITECT 

THE FLAVOR OF THE SEA  • • •   REFLECTED IN THE DESIGN OF A Boathouse on Long Island La Farge, Warren & Clark, Architects


   THE essential requirements of this building
were to provide the owner with docking facilities; a storage space for boats and aeroplane: pleasant temporary quarters for entertainment: and living quarters for his yacht captain and family.

***A small motor in the cavernous garage was
attached to two planks and was used  to generate just enough force to put Jock's seaplane in motion; after which it would gain momentum and take off across the bay.***


BOATHOUSE OF JOHN HAY WHITNEY. MANHASSET, LONG ISLAND, N. Y.
LA FARGE, WARREN & CLARK. ARCHITECTS; A. F. BR1NCKERHOFF, LANDSCAPE ARCHITECT

   There is accommodation for two cars in the boat storage space and cars may be parked here until required on return from trip by boat, or, if preferred, the car may be driven through the passage to the end of the dock where there is space for turning and where, in bad weather or in case of hurry, a car can receive passengers from boats.


FIRST FLOOR PLAN
    
   Primarily the purpose was to facilitate travel to and from the city, by water or air, for the owner whose estate is about a mile distant from the shore. The building is so planned that the owner may leave his residence by motor and reach the boathouse in about five minutes.


BOATHOUSE OF JOHN HAY WHITNEY, MANHASSFET, LONG ISLAND. N. Y.

95 Lake Road, Manhasset, Nassau County, NY, 11030


   Telephone, water and fuel-oil outlets are provided at end of dock for the use of boats.


BOATHOUSE OF JOHN HAY WHITNEY, MANHASSFET, LONG ISLAND. N. Y.


   The matter of land drainage and sewage disposal, because of the low level of the surface, was also a difficult problem. A system of septic tanks and a double system of straining and restraining the effluent through gravel beds and finally releasing it into the Bay through the rip-rap walls has given
entire satisfaction. The rip-rap walls were built out into the Bay to retain clean beach sand, which was barged to the premises to make a clean bathing beach over the muddy shore.


BOATHOUSE OF JOHN HAY WHITNEY, MANHASSFET, LONG ISLAND. N. Y.

   The materials selected for the construction of
the exterior walls were hand split British Columbia red cedar shingles. These have butts varying from 2" to Yi" thick and exposures from 10" to 6". Absolutely no finish was applied to these, but they have been left to weather to a silver gray in the salt air. This natural change has already taken place to a marked extent in the course of one year.
The posts are hand adzed, solid pine timbers. The rubble stone, which was jointed with much care, is a golden brown local outcropping found in Greenwich, Conn. and barged over the Sound to Manhasset. This stone was selected for its excellent match in color with the weathered shingles. 

SECOND FLOOR PORCH


  
  To construct the main door of the boat storage space so that it would admit an amphibian plane was also a problem. A clear opening of 40 feet wide by thirteen feet in height was required for this. The method of hinging the center doors and then sliding the pivoted doors back flat against the walls in the limited space was a challenge to ingenuity of architect and builder alike.


SECOND FLOOR PLAN


CLUBROOM

     The main room on the second floor, designed as the clubroom on the plan, is cruciform in plan, size about 50' x 30'. Opening this is a broad portico overlooking the Bay. Corner spaces cut off the clubroom by the trusses are devoted to telephone room, refreshment room, lavatory and wood storage. 

95 Lake Road, Manhasset, Nassau County, NY, 11030





DETAIL OF CEILING. CLUB ROOM NOTE THE USE OP ROPE AS MOULDINGS

    Everything possible to give a flavor of the sea has been incorporated in the detailing. This accounts for the rope moulding in the ceiling beams; this is hemp rope of various sizes with ends seized and nailed in place. Incidentally, this is a very economical effect in comparison with carving.


GREAT FIELDSTONE FIREPLACE, CLUB ROOM

    At one end of the clubroom is a great fieldstone fireplace with an overmantel map of Long Island painted by Philip Bower. 

MAP OF LONG ISLAND FOR BOAT HOUSE OF JOHN HAY WHITNEY, ESQ.




DETAILS OF FIREPLACE IN CLUB ROOM

     The cast iron fireback is a copy of an antique Roman has relief showing shipping at about the time of Christ. It was modeled by Tom Jones, sculptor.


95 Lake Road, Manhasset, Nassau County, NY, 11030


COMPASS ROOM ON SECOND FLOOR



TELEPHONE ROOM ON SECOND FLOOR
E. H. WARDWELL 8 COMPANY, INC., DECORATORS



CLUB ROOM LAVATORY


A BEDROOM


STAIR DETAIL


95 Lake Road, Manhasset, Nassau County, NY, 11030




THIRD FLOOR PLAN

   The boathouse, planned as it was upon swampy ground and just at the high-water mark, offered some difficult and interesting problems. In the first place, it was found necessary for security to support it upon concrete piles jetted and driven to a safe bearing on sub-strata. Two hundred of these 12" square, precast piles were required. Reinforced concrete pile caps connect these piles and form the foundation for the building. The boiler room, which is below the high-water mark, had to be a water tight compartment. For this purpose German super-cement was used and has so far shown no defect.




wikimapia location

   Aphrodite was built by the Purdy Boat Company and launched in May of 1937 for Wall Street financier and later Ambassador to the Court of St. James, John Hay (Jock) Whitney of Manhasset, Long Island.


The trip down Long Island Sound and the East River to lower Manhattan took 45 minutes. On foggy mornings, the captain would navigate by the clock, making each turn in his route after a certain number of minutes of running time.



   Whitney’s chauffeur would drive him, still in his pajamas, to his boathouse on Manhasset Bay each morning. Once on board Aphrodite, his valet would help him dress in the master stateroom. Then he would go to the forward cockpit, which is sheltered by its own windscreen. Whitney would sit up there as he rode to work every morning and read the Herald Tribune, which he later owned.


APHRODITE

   Whitney also entertained the luminaries of the era on Aphrodite. Shirley Temple celebrated her sixth birthday on board. While working on “Gone With The Wind,” which he co-produced with David O. Selznick, Whitney took its star Vivien Leigh out for a cruise. During WW II she would run up the Hudson from Newburgh to Hyde Park before FDR’s train, checking the train lines for sabotage.





JOHN HAY WHITNEY PORTRAIT

                                         
"Greentree" at oldlongisland.com


"GREENTREE"

                Manhasset’s Historical Gem

   Payne Whitney married Helen Hay, the sister of his Yale roommate. As it was common to give a home to a new wife during that time, Payne Whitney built Greentree Estate in Manhasset for Helen as a wedding gift in 1904.

   Payne Whitney and Helen had two children; Joan Whitney Payson (1903-1975) and John Hay “Jock” Whitney (1904-1982). Joan, a sports enthusiast, would later become the first owner of the New York Mets. And Jock would become perhaps the most prominent Whitney in the history of the family, accomplishing more than his contemporaries could have imagined.


  ***1930 John Hay Whitney's Wedding***

   Jock’s first marriage was to Mary Elizabeth Altemus (known as Liz Whitney) and lasted from 1931 to 1940. 

   In 1942, he married Betsey Cushing Roosevelt, the former daughter-in-law of President Franklin D. Roosevelt. Jock adopted her two daughters from her previous marriage. 



 Property of the Greentree Foundation From The Collection Of Mr. And Mrs. John Hay Whitney: Fine and Decorative Works of Art 
         




A rough stucco front with lines of red brick trim, including a crisscross pattern across the parapet wall, and leaded glass windows.


   Mr. Whitney had the architect Ellery Husted destroy the Sterner stucco fantasy and replace it with a chaste brick neo-Federal design.


The John Hay Whitney House 163 East 63rd Street

                    A Lot of History for Just One House


2011 Kips Bay Show House




182 East 64th Street


    Lenox Hill townhouse, former home of John Hay "Jock" Whitney.


2 Beekman Place, New York, NY

   2 Beekman Place, the high rise building designed by Rosario Candela. The penthouse belonged to Mrs. Betsey Cushman Whitney. She moved there because NYC rerouted an exit from the Queensborough Bridge, forcing traffic on to East 63rd Street. The Whitneys' town house was on that street and she couldn't handle the noise.


The house is of modern design with flat roofs throughout, and large glass areas to take advantage of the views. Construction is of frame, with exterior finish largely of California redwood, moulded and run horizontally. A pinkish brick of large size also has been used in portions of the house and there is some local stonework.

Big Whitney House Being Erected on Fishers Island

   In the decorative scheme gay and bright materials are being used throughout in keeping with the summer living which the house was designed. As a basis for the landscaping plan, a large number of small trees were brought over from the mainland.


"one of the more opulent houses. Severely modern, it cost upward of $500,000 to build, and the grounds were once equipped with a seaplane ramp."
ISLAND OF THE DISCREET SHUDDER


   The site is a relatively high ridge of land running east and west, falling off sharply on the north side, and toward the road.

   Unusual characteristics of the site dictated in a large measure the plan of the house, which is designed basically on an L-plan with a long wing containing the master’s rooms running along the ridge and parallel to the beach, and the service wing at right angles to this. The house is designed on three different levels, although it is only two-stories
high at any one point.


The main entrance is on the interior of the L-plan and at the intersection of the two wings. On this level are located the entrance hall, large living room, dining room and screened porch overlooking the beach. Also there is a room designed for the use of children and a guest room. Lending from the dining room are the kitchen, pantry and service facilities.

   An unusual feature is that the living room and dining room, both opening on the porch, are designed with large sliding glass doors, which may be opened in fair weather to create a single living area of the three units.

   On the highest level of the house are the master's quarters with two rooms and baths. One of these rooms has been designed as a study and office for the owner and both open on living decks commanding a superb view of Long Island sound.

The lower level of the beach wing contains three master bedrooms and a beach room with dressing rooms and showers. Also on this level the servants’ rooms and at the extreme end of the wing on the inland side is a carport to house two automobiles.

   A small terrace house, with built-in barbecue grilles, has been constructed for outdoor living.

   Architects for the house are Matthiessen, Johnson & Green of New York and Stamford. Design work was started by the architects in August, 1949.

The Greentree property in Saratoga Springs, New York adjacent to the backside of the Saratoga Race Course and Yaddo, an artists’ community and retreat.  

    In 1920 Edward F. Simms aquired land bordering the Yaddo property. Simms, a Kentucky horse breeder and owner, had made a vast fortune in the oilfields of Texas and Louisiana and used a portion of his income to develop the beautiful Xalapa Farm outside of Paris, Kentucky. 

Edward F. Simms

    In 1930, the Saratoga property transferred to John Hay “Jock” Whitney, scion of the famous first family of American racing. While no official transcript of the circumstances exists to common knowledge, rumor has long had it that Simms lost the property to Whitney in a friendly game of cards.


Add caption

   In addition to the main house, a guest lodge and staff housing, the present-day property includes two 400-foot long barns with 100 total stalls and a manager’s office. 

1933 photo showing the members of the Whitney family at Saratoga. From left to right: Mrs. C. V. Whitney (Gwladys Crosby Hopkins); John Hay Whitney (Jock Whitney); Mrs. John Hay Whitney (Mary Elizabeth Altemus); and C. V. Whitney.


 
  Under various names, and with the assistance of sister Joan Whitney Payson, Jock Whitney eventually bred more than 130 stakes winners between 1934 and 1982.

 The property was acquired by Sheikh Mohammed’s Darley in January of 2008.


   Greentree Stud owed its existence to the familial strife engendered by the hasty remarriage of William Collins Whitney after the death of his first wife. While Harry supported his father, his brother Payne had actively opposed the remarriage. For this principled stand, Payne would receive less than a tenth of his father's estate and had become so estranged from the family that he was not even present when his father passed away.

   Ultimately he would benefit from the estate of his uncle, Oliver Payne, who felt that Whitney's remarriage was a slight to his sister and rewarded his nephew with a bequest of 50 million dollars that did much to ease the inequity in inheritances and helped reconcile the brothers.

GREENWOOD PLANTATION
        
   Uncle Col. Oliver Payne acquired  the vast longleaf forested sanctuary in 1899, enlisting his friend Stanford White to make subtle additions, add a sunken garden, and give a Gilded Age flourish to the Greek Revival mansion.

   In 1944, Greenwood was inherited by John Hay Whitney.


The property was originally owned by a Thomas County pioneer family and rose to renown under later owners, the Payne and Whitney families, who helped establish the County’s reputation as a winter resort.

   THE MAIN HOUSE WAS BUILT BETWEEN 1835 and 1844 and is one of the few surviving structures designed by English architect John Wind. Later twentieth century additions were designed by Stanford White of the firm McKim, Mead, & White. Mr. White declared Greenwood “the most perfect example of Greek Revival architecture in America,” and it remains one of the finest instances of that style in the state. 


In 1993, a devastating fire ravaged the main house. The exterior was painstakingly restored; however, the interior remains untouched and is little more than a shell.

   Beyond the architecture, Greenwood is historically significant because of the many prominent Americans who were guests at the estate. President Eisenhower hunted quail on the grounds and Jacqueline Kennedy sought refuge at Greenwood after John F. Kennedy’s death.


   Such was Jock Whitney’s passion for plantation life that he was said to have immediately optioned the movie-rights for Margaret Mitchell’s novel “Gone with the Wind.” 





   In addition to producing “Gone With the Wind,” Jock Whitney was an investor in Technicolor.


   In 1930, as a wedding gift to his bride, Whitney gave his wife the sprawling hunt country estate known as Llangollen.



   They divorced in 1940 and she kept the estate along with a $3 million check.



   Whitney was a major backer of Dwight D. Eisenhower and a member of the New York Young Republican Club. Eisenhower appointed him United States Ambassador to the United Kingdom, a post held sixty years earlier by Whitney's grandfather John Hay.




The property, originally named Holthanger, was built in the 1930s by British architect Oliver Hill, who was inspired by the white-colored modernist houses designed by architect Ludwig Mies van der Rohe.


   Cherry Hill was the former UK country estate of Ambassador Whitney. Ambassador Whitney was not only an heir to a large fortune but a pioneer in the concept of venture capital, as well as an influential philanthropist. He renamed the property after the exclusive Cherry Hills Country Club in Denver, Colorado, where he and Dwight D. Eisenhower often played golf, close to the President’s ‘Summer White House’.


   With their wealth, exquisite taste, and refined aesthetic, the Whitney's created a style that was the envy of post-war British society.  This home was the perfect setting for their fabulous art collection, which included both Old Masters and Impressionists, and for their extensive entertaining.
    Betsy sold Cherry Hill in the mid-1980s following Jock’s death in 1982 at age 77.


Collectors' Motor Cars and Automobilia

   One of only seven long-wheelbase Bentley S3s built, chassis number 'BAL2' was sold new in the United Kingdom via H R Owen to John Hay 'Jock' Whitney, publisher of the New York Herald Tribune and US Ambassador to the Court of St James from 1957 to 1961. One of the world's wealthiest men, Jock Whitney resided when in London at Wingfield House, Regents Park but kept the Bentley for his private use at another of his properties: Cheery Hill at Wentworth in Surrey. 


Jock: The Life and Times of John Hay Whitney 


   John Hay Whitney was a man of extraordinary accomplishment in business and philanthropy. Among the many organizations he founded were J.H. Whitney and Company, the oldest venture capital firm in America; the Whitney Communications Corporation; and the John Hay Whitney Foundation "to help people achieve social and economic justice, with particular focus on those who experience discrimination in our country because of race, gender or economic condition." He was a captain in the Army Air Forces during World War II and received the Legion of Merit and Bronze Star awards. Like his grandfather, he also served as Ambassador to Britain, being asked by President Eisenhower to be Ambassador to the Court of St. James in 1956, a post he and Mrs. Whitney served in for four years. Mr. Whitney was Editor-in-Chief and Publisher of the New York Herald Tribune from 1961-1966 and Chairman of the International Herald Tribune from 1966 until his death in 1982.



Kelly created a museum-like setting filled with antique chests, furniture and artwork of great beauty, and seating arrangements dressed with leopard, tiger and zebra skins. Objects d’art are surrounded by the heads of a rhinoceros, water buffalo, yak and exotic deer. Game birds are stuffed and suspended from the eighteen-foot ceiling. A rare narwhal tusk (given to Mr. Kelly by Mr. Whitney) hangs over the giant stone fireplace and an elephant tail sprouts wire-like hair in another corner of the room. The startling polar bear, leopards and tiger skin rugs stare back in defiance—mouths frighteningly agape.



   The Boathouse was left to his friend John Sims "Shipwreck" Kelly.

The Payne Whitney House  at 972 Fifth Avenue
Childhood home of John Hay Whitney and sister Joan.

The Venetian Room designed by Stanford White.


  In 1949, the room was dismantled and stored at the Whitney estate "Greentree" on Long Island. It remained there until 1997, when Mrs. John Hay Whitney donated it to the French American Foundation, which underwrote its reinstallation in the house.




   While studying at Yale University, Jock Whitney was a participant in the sport of rowing. As told by author Edward Bowen in his book “Legacies of the Turf: A Century of Great Thoroughbred Breeders (Vol. 1),” Jock Whitney concluded that having shorter hair would cut down on wind resistance and allow his rowing crew to travel faster; the haircut he subsequently requested wound up being known as the “crew cut.”

   Thanks to an inheritance of $100 million, Jock Whitney was one of the richest men in North America. Forbes ranked him among the seven richest men in the world in the 1970s. 


John Hay “Jock” Whitney





Friday, December 16, 2022

CHRISTMAS COMES TO THE NEW YORKER'S FAT LADY AND HER BUTLER

 By Helen E. Hokinson and made famous by their periodic appearance on the covers of Manhattan’s sophisticated weekly, the dowager and her manservant have traveled the world, effectively satirized one phase of America’s hopeless servant problem.


CHRISTMAS COMES TO THE NEW YORKER'S FAT LADY AND HER BUTLER

 One of the 20th century's most influential cartoonists, Helen Hokinson (1893-1949) chronicled the social comings and goings of the middle-aged American matron in the pages of the New Yorker for nearly a quarter century. She traded her early aspirations to become either a painter or a fashion illustrator for life as a cartoonist after one of her early cartooning efforts was accepted for publication by the newly founded magazine in 1925. Hokinson's cartoons were peopled with what came to be known as "those Hokinson ladies." The ladies of Hokinson's cartoons, all of them "slightly overweight, behatted, and ranging in mental state from outright addled to merely puzzled, populated garden clubs, library societies, civic meetings, and luncheons, and they entertained numberless notions and aspirations that were at once ridiculous and engagingly innocent," according to a profile of Hokinson in Her Heritage: A Biographical Encyclopedia of Famous American Women.


Archives at Yale.



Tuesday, December 13, 2022

"Casa Rosita" Miami Beach Studio Home of Henry Salem Hubbell

 In February of 1924, Hubbell and his wife, Rose, a writer of considerable distinction, arrived in Miami Beach for the first time and spent the season in the area. According to the City directories, Hubbell resided at 1039 18th Street from 1926 until 1929. In 1930, Hubbell moved to 1818 Michigan Avenue, located immediately west of 1039 18th Street, and resided there until 1940.

THE HERALD, MIAMI, FLORIDA. FRIDAY, AUGUST 15, 1924


HENRY SALEM HUBBELL HOME AT MIAMI BEACH TO COST $20,000


WORK has been started by the Watson Corporation on the construction of the new winter home and studio of Mr. and Mrs. Henry Salem Hubbell, which is located at the intersection of Lenox avenue and Collins canal, Miami Beach.


This is to be a two-story reinforced concrete and hollow tile building, the first floor of which will contain a large living room, dining room, kitchen and butler's pantry. Also there will be a studio on the first floor 20x32 feet, while at the rear will be a patio 30x40 feet. A feature of this home is the wide opening on the north which overlooks the canal and from which there will be steps leading down to a boat landing on the shore of the canal. The cost of the home will be $20,000.


Mr. Hubbell is one of the leading artists of America and is well known in art circles all over the world. He has paintings in all of the leading art galleries of America and more than half a dozen of his paintings have been purchased by the French government. He also has painting's in several of the leading galleries of Europe


Mr. and Mrs. Hubbell spent last season at the Covington Arms apartments at Miami Beach and before leaving last spring for their summer home, “Sllvermine," Norwalk, Conn.. they purchased this home site at Miami Beach and arranged with the Watson Corporation for building their winter home.


Miami Tribune 03 Oct 1924


H. S. HUBBELL HOME NEARING COMPLETION


The Henry Salem Hubbell studio home is nearing completion at its delightful location overlooking Collins canal. Mr. Hubbell, who is now at his studio in Connecticut, has been collecting the furnishings for the place, and has sent down some interesting old doors and iron grille work.


Henry W. Hubbell, who planned the artistic house and has had charge of its construction, said Friday that he expected his parents to return to the Beach between October 15 and November 1.


One of the most attractive features about the house is the patio which will be screened over and used as an outdoor sitting room. The large living room and studio occupies practically the entire ground floor and opens out into the patio. The ceiling in this room will be of pecky cypress decorated  in the Spanish style.


The home will be completed by November 15 and many of the furnishings for it will be brought from Mr. Hubbell's Paris studio.


The home of Henry Salem Hubbell, the portrait painter, at Miami Beach, is a home built around a studio. The exterior is in the Spanish peasant style.

The house is located a few feet back from the canal in a grove of palms. It is of hollow tile with a rough plaster finish over blue and ochre.

A BIT OF VENICE AT MIAMI BEACH. FLA.



At the water entrance gondola posts reminiscent of Venice, frame the mirroring waters of the canal. At this point the canal is seventy-five feet wide.

Looking out front the patio through the front entrance. Here an old paneled door was adapted for a wicket. The floor of the patio is of vari-colored laid hit or miss, and the woodwork and overhead trusses of the screen roof are vermillion




The view from the front door across the patio to the water entrance. The house was designed and built by the owners son, Willard Hubbell.


Shown is a glimpse of the patio which has been screened across the top to support vines. 





1039 18TH STREET




IN THE PATIO
Portrait of Rose Strong Hubbell at "Casa Rosita"



Collins Canal, part of the Miami Beach waterfront, showing a view of the attractive residence of Henry Salem Hubbell at the left of the picture and his earlier home at the right.


 Miami Beach enjoyed the Venetian touch. Shown above is the residence and studio of artist Henry Salem Hubbell on the Dade Canal with gondolas moored outside. Hubbell painted portraits for wealthy vacationers. His home, at Michigan Avenue, was designed in 1925 by architects Schultze and Weaver, who also designed the Miami Biltmore Hotel and the Roney Plaza.


Gondolas in the Collins Canal in front of the Hubbell residence - Miami Beach, Florida.

A BIT OF VENICE ON THE COLLINS CANAL, MIAMI BEACH, FLORDIA



A 1939 photo shows position of the high water mark on the wall of 1818 Michigan Ave, along the Collins Canal. Also shown are the height of the high water mark in 2011 and its expected height in 2030 and 2060.



Sea Level Rise Creeping Up on Miami Historic Landmark


View from Dade Blvd across Collins Canal.

Property owners rights conflict with the neighborhoods historical designation and protections.

“too vulnerable to be retained”





https://en.wikipedia.org/wiki/Henry_Salem_Hubbell


https://en.wikipedia.org/wiki/Schultze_%26_Weaver




Architects Schultze and Weaver Lecture - 2011 Whitehall Lecture Series






The property located at 1818 Michigan Avenue was later sold to a New York family, Maxwell Lehrman and Joseph Ronai, around 1941. Hubbell subsequently moved in 1941 to 730 N.E. 90th Street in Miami Shores where he lived and served as President of Trailer Grove Incorporated, a tourist camp, until his death in 1949.

Hubbell's son, Willard, was the president of Hubbell and Hubbell, a general contracting firm established in 1925 and responsible for constructing many buildings in the Miami metropolitan area, including "Casa Casuarina" at 1116 Ocean Drive in Miami Beach (renowned as the recent home of the late Gianni Versace).


Fake or original detail?


Apartment conversion began early at 1818 Michigan Ave. In 1934 Hubbell was sited for making alterations on his home without a building permit to accommodate more than one family in a one-family residential section. 



Once an open covered terrace overlooking the canal.





HENRY SALEM HUBBELL STUDIO "SILVERMINE" NORWALK, CT.



Henry Salem Hubbell studio stands on land purchased by Hubbell in 1912. The renowned portraitist and his wife, Rose, bought the old farmhouse and barn, and within a few years their place and presence drew other artists. According to Rose, "We made it a place in which people wanted to play." Visitors will find that playful spirit is still alive.



Friday, November 25, 2022

Case #244



Old New England family. Prominent social and financial connections. Brilliant student. Groton four years. Harvard 1919-22. Won letter in two major sports. Substitute for No- 6 on crew. Socially inclined, but made no club. Humiliation fostered moody state of mind. After graduation, one year of big game hunting and exploration, Africa and Tibet. On return to U. S. offered position with well known bank. Capable but made no friends. Resignation accepted after one year. Tried one thing after another. Perceptible discouragement for apparent failure. Selling bonds (1925) . . .


Now (1927)Vice-President of growing Eastern bank. Happily married and residing in New York City because.........

LISTERINE


Nothing exceeds halitosis (unpleasant breath) as a social offense. Nothing equals Listerine as a remedy